(Heather in the) Deep Water

(Heather in the) Deep Water

 

Bad luck in deep water

At the first opportunity

She’s back in over her head

Cool tearless only

The stencil of a triumph

Silently fighting for

Her satisfaction

As she hits the peak

Heather wants so much

Behind her closed eyelids

Red and white stars

Frightening wonderful such

A blazing wild invitation

In the gas flame blue smoothness

Gun metal smoked pear dark purple

And charcoal black as she goes

Rushing down the long descending

Arc of the bridge

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The Song of the Morning and the Mask

The Song of the Morning and the Mask

 

In the morning

This madness

High breasted

And brief

 

She the composer

She the magician

Appearing in the morning

Vivid as dream

 

Dream of movement

Of sunlight, of grace

Green eyed and sudden

Her bright paper face

 

She stands white shouldered

Light through the window

She of the morning

Of temptation, of play

 

Remember this morning

Her cat quick tongue

The torn paper pieces

When we are done

 

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From a Hynagogic Journal, Pt. 9

I wondered then how much experience she’d had, if what I wanted from her was even possible. As one of the first small wave of girls in a newly co-ed prep school you’d think Kathy would have gotten her fair share of male attention, if only from sheer force of numbers, but that was far from the case. Maybe it was the ingrained institutional habit of trolling in the nearby all girls schools or, more likely, something more complex in the male psyche, but what developed at Prep was that a few girls (like say, Virginia) went out a lot while a lot went out rarely, if at all. At the prom the number of purely Pitt Prep couples was surprisingly small, and many of those were basically platonic one shot deals. Kathy, typically, was on the Prom Committee but didn’t actually go to the prom.

 

Similarly, despite the fact that our college had gone co-ed only ten years earlier and still maintained a heavily unbalanced ratio of men to women, the latter were far from guaranteed male attention. Though there was much more rampant and casual fraternization there than at Prep, there were still a disproportionate number of women who were relentlessly pursued while other women were largely ignored, even by guys who weren’t that popular themselves – and in this case there weren’t any girls schools on our doorsteps, only pastures filled with farm animals.

 

And it’s not as if the guys in those highly hormonal days of high school were totally unaware of Kathy’s assets. After all, she’d been a cheerleader (a small talent pool granted, but why not? – even though she wasn’t the prettiest girl in school she was certainly athletic, nimble and spirited enough), her legs revealed in their glory by short skirts and high kicks, and during the gymnastics team’s annual exhibition (which more resembled a cheesy Los Vegas floor show) more than one elbow was delivered to a buddy’s ribs at the sight of the well developed rack stretching her leotard. But as she found herself juxtaposed in the chorus line between the head to toe stunner Heather and the over the top pneumatics of Ungie such revelations were soon eclipsed.

 

But I didn’t see things that way anymore, and not just because Virginia had so firmly put me in my place in the pecking order. It was more a question of me finally beginning to get some perspective, of being able to focus on what I’d overlooked, and learning, as Kant said, to treat a woman as an end rather than as a means.

 

But in that brief, golden liberal hour, the interregnum when VD had been conquered, birth control was plentiful yet AID’s had not yet reared its hideous death’s head, when the sexual revolution had seemingly been won and sexual freedom become the lingua franca, it was rare, unheard of even, for a couple to part chastely at the door with a kiss. Clearly Kathy was operating under a different set of rules. I slowly made my way back to the bar, in the grip of the sort of overwhelming thirst which seemed to afflict me frequently in those days.

 

I sat at my friend’s table to much hooting and hollering and some outright hostility emanating from Ungie. What the hell, UBU? She bellowed over the umpteenth rendition of Brick House. What was that? What the hell are you doing with that stuck up narco bitch?My only reply was to grab her beer and drain it, which didn’t improve her disposition any. Grosse Points Palffy, who had been my spectacularly mismatched roommate freshman year and my nemesis ever since, leaned over from the Deke table to make a few barking, dog like noises in my ear. I silently gave him the finger and he chortled and returned to his own kind.

 

Only Keith, my blood brother who knew me so well, understood. This is one of your things, isn’t it?

Yeah, I said, I guess it is.Ungie pouted prettily, but the beer and quaaludes soon rendered her mostly inert and she didn’t say another word.

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Baudelaire predicts Bush!

..a pitiless righteousness, a righteousness that will condemn everything except money…

When that time comes anything that resembles virtue – nay, anything but ardent devotion to Plutus – will be regarded as vastly ridiculous. Justice – if, in this unfortunate epoch, any justice can still exist – will forbid the existence of citizens who are unable to make their fortunes.

Your wife, O Bourgeois, your chaste other half, whose legitimacy is your poetry, giving to legality an irreproachable infamy, vigilant and loving guardian of your strongbox – your wife will be nothing more than the ideal type of kept woman. Your daughter, in her childish nubility, will dream in her cradle that she is selling herself for a million. And you yourself, O Bourgeois – even less a poet than you are today – will make no objection; you will have no complaint.

– Charles Baudelaire

 

Even though he thought it a "ridiculous role" to be cast as a prophet, Baudelaire sure saw clearly into our own time. The only benchmark we have for anything these days is how much money is involved, and Bush has recast our government of and for the people into a revenue producing machine at the service of the rich. Justice is just another commodity in which an expensive lawyer can deliver any verdict at the right price and the Supreme Court is hijacked by deep pocketed ideological groups. As for the young nubiles being happily sold by their fathers – I guess you’d have to ask Mr. Spears and Mr. Simpson why they pushed their minor daughters out on stage to writhe as sex objects. And even Baudelaire wasn’t perverse enough to dream up the kind of parent who’d hand their kid over to Michael Jackson. Why? In the words of the rap song: May sound strange may sound funny/But that’s what people do for money. And old Charles sussed that out long ago….

Yr Pal,

UBU

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Heather Astarte

Heather Astarte

 

Skipping up to the porch

With her sly slink and swagger

Heather Astarte the sex termagant

Long etiolating light in the head

Lit up like a star shell

In the warmth of a fever

Such eyes when the shadows

Go over them crisp like

Ground glass in a blender

The soft stuff of her whispers

Her blouse pouted unbuttoned

Slid firm tip tilted

Copper gold glinting

The beautiful blank mock

That aborts all thought

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hopeless

Procter, Dod, 1892-1972; The Golden Girl

Hopeless
Even the golden daughter is hopeless
Despite her combination of grace and speed
Even the golden daughter even in shorts is hopeless
Can this be what the world is looking for?
Even the golden daughter even in shorts
Even at this time of night is hopeless
Bare legged but royal looking
Even her smashing the window of the van is hopeless
But she’s hungry enough to accept that
As within the holy, charged doorway
She looks up at the domelight and says
We don’t even know where we’re going

artwork:
The Golden Girl
Dod Procter (1892–1972)
The Ingram Collection of Modern British and Contemporary Art

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From a Hynagogic Journal, Pt. 8

But, just when the magnetic attraction between us was at its height, she pulled back, quite consciously, with a start, as if forcing herself awake.

Well, she said flippantly, quickly regaining her composure. I’d better go. Can’t let you get me drunk.

Oh, come on. We just started!

No, really, I’ve had my limit.

She’d drunk a beer and a half in the time I’d sucked down four or five.

At least let me walk you home.

She stood up. Really, you don’t have to.

I know, but I want to. I got up too. Please.

Don’t you want to be with your friends? She nodded slightly toward their table, giving the first indication that she’d been aware of them despite all the curious glances and Ungie’s frequent venomous stares and nasty sotto comments.

No, I want to be with you, Kathy.

She rolled her eyes, laughing half nervously and half derisively.

Seriously. Please. Besides I can always come back here, right?

What about the rest of your beer? She said, indicating the half filled pitcher.

Here –

I set it on the table of a group of Junior apprentice debauchers next to us. Here you go, guys. Go nuts.

Cool! One of them said, beaming. Thanks, man.

See? Now, let’s go.

Betsy bowed her head, exasperated, yet flattered. Fine. You can walk me home, she said, with the clearly implied postscript And that’s all.

True to our individual forms, I lived with three malcontents in a bohemian, semi-ramshackle bungalow (dubbed Okey-Dokey Farms) which was built for married students after the war, while Kathy lived in the bottom of a more modern duplex appropriately known as the New Apartments.

There were fraternities but no sororities at our college or else Betsy would have belonged to one, as would her roommates, all vaguely preppie types clustered around the cynosure of a a very slightly black girl of high social standing and strong attractiveness to the Dekes, the same way Kathy had been one of the flock of the less attractive surrounding Virginia back in High School.

Our walk took us to the far end of campus, and we didn’t talk much, just burrowing into our coats in the rapidly cooling weather and commenting on the more blatant party casualties already dotting the night. Still, matching stride with her, watching our breath cloud in front of us, for the first time really alone, the hyper awareness of her physicality I’d felt in the theater returned, heightened by the realization that soon we’d be having a moment of truth at her door. Similarly, I could sense her habitual easygoingness tighten as we got closer and closer to her apartment.

Listen, UBU, this isn’t…

She burst out as we stopped at the lighted entranceway, delivering the words she’d no doubt been preparing on our walk. I mean, I don’t think you should come in.

I know, I know, don’t worry.

I lay my hand on her shoulder gently. I’m not going to take advantage of you now that I’ve gotten you drunk and everything. She smiled, seeming quite comfortable under my touch. But I would like to kiss you. I bent to her and there was nothing awkward about it as our lips met. Mmmmm….

We paused, our eyes meeting the way they had in the bar, but this time she didn’t pull back. And I’d really like to see you again. Go on another date.

She actually colored above her cheekbones. All right, sure, why not.

Tomorrow.

She shook her head in grinning exasperation. No.

O.K., then, next week. We’ll do the same thing. See another weird movie.

Sure. She leaned toward me and we kissed again, her hand on the back of my neck. Well, goodnight, she said, looking shyly away and turning decisively to open the door disappear behind it.

Yeah, see you.

I stayed there, the press of her still soft on my lips, surprised at how strong my desire for her had become, at how hooked I already was.

 

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Baudelaire/Rilke

Souls of those I have loved, souls of those I have sung, strengthen me, support me, rid me of lies and the corrupting vapours of the world; and you, O Lord God, grant me the grace to produce a few good verses, which shall prove to myself that I am not the lowest of men, that I am not inferior to those whom I despise.
 
                                   — Charles Baudelaire
 
 
Temples are no longer known,
It is we who secretly save up
These extravagances of the heart.
 
                                     — Rilke
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Mouths of Dead Horses

Mouths of Dead Horses

 

In the dead of winter

We buried horses under the snow

 

I passed you with

Dirt under my fingernails

And cold blood on my coat –

I thought you saw

 

Sometimes it gave me warmth

Clutching those stiff manes

It made me feel important

To touch the dead

 

I don’t know why we buried them

I saw the empty eyes

And grinning teeth

And said nothing

 

I am here

Because some workmen

Drawing boats

Onto the shore

 

Found a dead horse

In the mouth of the stream

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Persephone

Persephone

 

Be kind to her

She is willing to grow complete

Cultured in mourning

She knows perfection is only too close

One bloody perfect moment

After which there is no other

 

Nimble

Swept in far descent

Wise Dear Grave

Looking back over her shoulder

A terse text of deflection, depth

Palely visible beneath

Scratch of bang

And splinter of voice

Saying the things we say

And the things we never

 

With a need deeper than memory

I touch her arm

As she comes down those stairs

Almost crossing the dark plane

The invisible forever wall

That makes an act out of all we do

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