Book review: Skin River by Steven Sidor

Skin River Steven Sidor (St. Martin’s Minotaur paperback $6.99)

When Steve Hamilton talks, people listen. He always goes out of his way to support other worthy writers and after his signings there’s always a rush to pick up the books he’s mentioned. He usually likes authors like Denise Mina whose work is a little darker than his (though, believe me, I’ve read the forthcoming Alex McKnight and it is plenty dark), but I’m no different than the crowd – when he touted a guy named Steven Sidor in a recent interview I had to seek Sidor out, and I’m glad I did.

Skin River, Sidor’s first book, features Buddy Bayes, a protagonist who, like many created by the new wave of guy writers like Hamilton, Jon King and Craig Johnson, is a middle aged man with a problematic past who, mostly by choice, finds himself isolated and alone in the middle of nowhere, in Buddy’s case the past being criminal and the nowhere rural Wisconsin. When he discovers a severed hand in the Skin River he is drawn into the horrors surrounding a local serial killer who calls himself the Goatskinner. It becomes even more personal when the Goatskinner goes after one of the few people close to Buddy and the clueless sheriff becomes convinced Buddy is the culprit.

It’s not a perfect effort – there’s too much focus on the not quite credible and very icky villain (Hannibal Lecter has a lot to answer for) and Sidor, though his prose is lyrical and smooth, tends to over-describe at times (we know how to light a cigarette, thanks), but Skin River draws the reader in masterfully and delivers a great ride all the way to the slam bang ending. There’s not much mystery, but a lot of suspense and action and even a jolt of a coda.

Although Buddy would seem to be an ideal series character who could stand to be developed further, Sidon’s second novel Bone Factory features different protagonists, which, take my advice, is no way to succeed in the mystery game. All in all, though, Sidon is an yet another example of why we should always listen to Steve Hamilton.

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One Way of Looking at a Black-Haired Woman

One Way Of Looking At A Black-Haired Woman

 

 

                       Acutely hot

                       Acutely forgotten

The bank doesn’t even send me statements anymore

As my present love crumples

The air mail letter from her lover in France

And looks sad

                      Triste

He is such a bastard

                      I am such a bastard

We are all such bastards

 

My roommate’s pretending to be asleep

Peering with half opened eye to see

If I’ll steal his drugs again

And the voyeur girls from across the way

Wait breathlessly for me to expose myself

Or commit suicide

                      Triste

I disappoint them

                     I am such a bastard

We are all such bastards

 

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To the Queen of Heaven

To the Queen of Heaven

The Goddess of the Universe

The One who walked in terrible Chaos

And brought life from the Law of Love

 

And out of Chaos brought us in Harmony

And from Chaos she has led us

By the hand

 

Babylon 18-17th century B.C.

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Commercial Anxieties

Commercial Anxieties

 

I’ve been watching play-off basketball lately, (oh, the exquisite torment of being a Pistons fan!) exposing me to far more television commercials, endlessly repeated and demographically focused, than I’m used to. Although commercials are designed to lead the public, they’re also broadly reflective of the national psyche, a sort of fun house mirror where current anxieties can be assuaged by, of course, the proper product. One of the more bizarre yet telling commercial series is the beer company’s "Man Law" ads wherein a circle of mucho macho dudes hash out how true men should act in crucial cases of etiquette concerning beer and "girls." Of course the mere assumption that laws need to be codified on proper masculine conduct reflects a deep anxiety about modern masculinity itself. Presumably these days even the most testosterone driven stud is in a quandary about how to act manly without the aid of "man laws" – long gone the days when a man knew how to act like a man because, well, he was one. (As the philosopher Iggy Pop wrote, "I don’t need no heavy trips, I just do what I want to do.") Somehow manliness is no longer inherent, but must be imposed from above. It all reminds me of the half-men of Dr. Moreau’s island who must constantly bellow out "Are we not men?" and "What is the law?" in order to reinforce their always tenuous humanity.

This anxiety is also reflected in the reactionary party’s (The Republicans in case you didn’t know) crusade to officially and eternally declare gay marriage illegal, immoral and against man law, in order to demonstrate how heterosexual and godly (he made ‘em, but he still hates ‘em) they are. Similar overcompensation can be seen in their leaders’ hyper-masculine posing, Bush’s cowboy bluster and tight flight suit and Cheney’s great white hunter sneer, as well as their mocking of their Democratic betters (you know, like Gore and Kerry, the guys who actually went to Vietnam while George played aviator and Dick made the world safe for young Republicans stateside) as unmanly for exhibiting qualities like intelligence and compassion.

Another issue derided by the ever wrong right has produced an almost subliminal anxiety reflected in several commercials. Both the soft drink commercial where the basketball court becomes a pool and the beer company’s "love train" series feature a bunch of really hot people who are miraculously cooled down. I don’t think I’m reading too much into it to see a fear of global warming at play here. Like Al Gore has been saying if we all get on the love train we just might be able to avert a hellish future, but it’s going to take a lot more than drinking the proper brew or following the macho man laws to do it.

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Quotebag: The Hi-Fli Discotheque

Quotebag: The Hi-Fli Discotheque

 

I cannot pretend that I was attracted by her charms. It was the air of the perverse about her that held my long admiring glances as I passed. There was a stylishness about the urchin-cropped redhead, matching her hint of decadence or depravity.

Pearls of the Orient – Anonymous

 

Marie suggested heights and depths of human experience undreamt of; she held them within her graceful body and the compass of her strange mind – a creature restricted by no philosophy and fettered by no empiric wisdom.

The Death Gong – Jepson

 

Wandering the halls in thigh-high baby dolls, wearing push up bras, clutching Bunky as if it were the Christ child – pleasant when stoned, obstreperous when straight – Karla now presented a far different figure to Sister Josephine.

The incredible thing about Bunky, we would later find out: Karla had given the stuffed bear to Leslie Mahaffy shortly before she killed her.

Invisible Darkness – Stephen Williams

 

The dancers shifted effortlessly into the somewhat more subtle patterns of the Pony.

I can’t stop," she said. She moved. "Let’s make it good. Let’s make it a party."

Girl High – Stacey Clubb

 

Tommy laughed very hard and said something I didn’t catch. It sounded like, "More fun than a barrel. Turn on the squares." It didn’t make any sense to me.

Stab in the Dark – Joe Rayter

 

Until you find your particular groove, you have to keep getting further and further out.

The Wife-Swap Report – J.W. Wells

 

You can’t afford to frolic with these people, you must keep in mind that these people have suffered serious damage to their nervous systems and you mustn’t get them agitated.

Somebody’s Done For – David Goodis

 

Joan herself could not explain her own mixed up emotions that had led her to seduce Helen in the very kitchen where, a few days before, Greta Peterson had initiated Joan into the lesbian legion.

Rubberama – John Astley

 

"I’m hampered," she complained and reached behind her for the zipper of her dress.

Faculty Wife – Joan Ellis

 

With a few deft maneuvers, she managed to scissor hold her muscle boy spankee.

Lady Butler – Robert Nelson

 

"I’m going to hate to kill you, Johnny, because you were a good sex companion, but orders are to kill you and Jack." The little bitch gave me a cold blooded look and I knew she meant business. She was a dedicated Communist – no doubt about it.

A Bed Is Not For Sleeping – Meryl Core

 

Her briefs and panty-hose were already covering the lower portion of her exquisite body. He knew he was losing a rare, rare gem.

The Sexy Blackmailer – Rod Stagg

 

For just as the "Infinite Soul" had been expounded as a dream by Charlie to unite the Family, it nonetheless stemmed from the harsh fortune that had hounded him since the day he was born – finally to come into being as a full blown "vision" through the dealing out of death – of wanton, mechanical murder.

The Garbage People – John Gilmore

 

I shall never know what Old Bob found in the head of the troglodytes.

Perfume of the Lady in Black – Gaston Leroux

 

"And yet," he said, "it is not a true end, or rather, it is like all the ends of human inquiry, it leads to a great mystery."

The Terror – Arthur Machen

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Coming Rain

Coming Rain


A sudden slit of lightning
Echoes through the sky, dyeing
Violet darkness grey
As a last clear circle narrows
Erased by the rim of the clouds

In this light you’re just
A cipher at the edge of the woods
One hand over the dog
As if to anchor yourself
In the wind

I know I should wonder
Why we’re the only two out here
Why we need this moment
After everyone else
Has run away

The storm so close to breaking
We can hear its shell crack
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Quote Bag: Celestial Sex!

His most important inspiration sprang from the neurotic tensions of his youth rather than from the healthy, even athletic, objectivity of his maturity.

– William S. Liberman

 

Her sweet audacities delight me;

That dazzling beauty is

Love’s slippery precipice.

– Horace

 

And in fact, artistic experience lies so incredibly near to sexual experience, to its pain and its delight, that both phenomena are really only different forms of one and the same yearning and joy.

– Rilke

 

Venus inspires the sleeping god with visions of victory and of its prize: the dream creation of her own grave beauty.

– Godfrey

 

The hope of reaching the eternal in the momentary.

– Wylie Sypher

 

Since the earliest times the obsessive, unreasonable nature of physical desire has sought relief in images, and to give these images a form by which Venus may cease to become vulgar and become celestial has been one of the recurring aims of European art.

– Kenneth Clark

 

The fact remains, though, that erotic impulses, whether evident or disguised, are the nearest thing to supernatural agents that everyone encounters in the routines of daily existence.

– Brain Stableford

 

The female being knew that Ed wanted to have sex with her. But with a "mirthful" expression she told him something like "Yeah, you’d like that wouldn’t you, but that’s not the way it’s going to be." Instead, she explained that they needed his sperm for "their needs…to create special babies" and "for work we’re doing to help the people of your planet."

– John E. Mack

 

And his desire pictured to him extraordinary promiscuities which he believed could be realized with the facility of dreams and the solemnity of liturgic ceremonies.

But the higher she rose in his imagination the further she seemed removed from him in reality.

– D’Annunzio

 

And he went home and lived a long time, but he would never kiss any other lady because he had kissed the queen of the fairies, and he would never drink common wine because he had drunk enchanted wine.

– Arthur Machen

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Chapter 4 — Snakes in Caves

4.

Pittsburgh women are the most beautiful women in the world. I think it’s got to do with mongrel vitality — the ethnic mix, the Slavic cheekbones, the Celtic complexion, the Italian drama, but it’s also their vitality, the kind that is always prized in the shtetl, their honesty, their straightforwardness, an earthy connection to here and now that makes them stride down the sidewalk like that, just blowing everyone away. It’s not their perfection, but their sheer humanity. As Old Bunny Wilson wrote about one of his characters "Here, in Daisy, is the real vital Pittsburgh: frank, vulgar, humorous, human!" They may not be fashionable but they’re sharp, they seem to notice and inhale everything, and even as they hunger for life, eating Kielbasas and Klondikes, downing Peppermint Schnapps and Iron City Pilsner Beer, having a messy quick one on a coat covered bed at a party in Oakland or Natrona Heights, they understand and transcend their own appetites. These are people, after all, whose ancestors have come from all over the world to be able to work and to love here.

But wasn’t that me losing it about Pittsburgh again, losing my perspective in the reflections of these old memories? After all, I’d met the two most beautiful women I’d ever met in Pittsburgh — did that really mean that Virginia and Heather were two of the most beautiful women in the world? It’s possible, surely, to have a few of them in the same place, in art at least, goddesses sitting on a fence to be judged by a rustic shepherd.

Imagine how I felt when I recognized Virginia’s face in a Botticelli painting in the National Gallery, or Heather’s sly, stoned smile as she lay next to a narghile among Delacroix’s Women of Algiers in the Louvre. But was it such a good idea to turn away from the representation and look back at the thing itself? You could call it the Temptation of Perseus, couldn’t you – the impulse to glance from the polished shield to Medusa’s face — Medusa herself having begun as a world class beauty and ended up with snakes for hair and unmatched ability to get you stoned.

And weren’t there always three goddesses? Even though I only knew her half as well, Nancy, Miller’s one time girlfriend, surely qualified as at least "outstanding" on the national level of teen pulchritude, certified as such by no less an authority than Seventeen magazine, which had printed a breathtaking photograph of her long ago. But in the end Nancy had fallen, like our mutual friends George and Tommy, away from youthful brilliance and into the dark part of the picture, among the gallery of chiaroscuro faces I wasn’t sure I wanted to see.

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The Old Mill

The Old Mill

 

A leak in the safe

The utmost danger of

The unreasoning grip

Alarm trapped reckoning

Drowning in

Sweaty driving endless

Readiness on the road

Almost ready to cross

The wild thing

Very close by

Hold steady, hold steady

Keep cool

Peacefully unstuck

Manufacture in secret

Grudging admiration

Astonished beyond all

It’s just by luck

This hard revolver

In pocket

Now to tackle

The Old Mill

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The Grave

The Grave

 

Two days after October

I met the girl

Who found this grave for me

 

She scratched a line

In the dirt by the river

And said

 

This is where you will lie

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