— Ole Michael Selberg
Man with box cutter arrested at Fleetwood
A 43-year-old man known for stealing food off customer’s plates turned violent early this morning when he waved a box cutter at a customer at the Fleetwood Diner in downtown Ann Arbor, city police said.
The waitress saw the man steal a plate of french fries at about 1:50 a.m. She asked him to at least return the plate, which the man did.
The man left, but returned a few moments later and began opening condiment bottles with his teeth. The waitress ordered him to leave and a customer also got involved.
Police said the man then took out a box cutter and started waving it at the customer while saying, "I’m a dog. I’m a dog." He also threw a chair and condiment bottles at the customer.
The customer picked up a chair to ward off the man, who left. Police found the suspect on William Street and arrested him. He was jailed pending authorization of felonious assult charges. Police said the man was visibly intoxicated.
One of the (oh, so many) good things about this blog is that it gives me an excuse the mine the myriad notebooks I’ve filled that have been collecting dust for eons – here’s some poems I originally dug about 25 years ago – the Japanese ones were translated by Kenneth Rexroth – I don’t know who did the French…
I think of the days
Before I met her
When I seemed to have
No troubles at all.
– Fujiwara No Atsutada
Others may forget you but not I.
I am haunted by your beautiful ghost.
– The Empress Yamatohime
The colored leaves
Have hidden the paths
On the autumn mountain.
How can I find my woman
Wandering on ways I do not know?
– Hitomaro
In all the world
There is no way whatever
The stag cries even
In the most remote mountain.
– Fujiwara No Tashinami
I picked this spray of heather
Autumn is dead remember
Never more on earth we two together
Breath of time spray of heather
Remember I wait for you
– Guillaume Appolinaire
An old terra-cotta faun
Laughs in the middle of the lawns
Auguring no doubt a bad
Ending to these serene moments
Which led me and led you,
Melancholy pilgrims,
Up to this hour which flees
In a whirl of tambourines.
– Paul Verlaine
I never knowed a successful man who could quote poetry.
— Frank McKinney Hubbard
I don’t read many contemporary novels that aren’t mysteries or thrillers. To me it’s pretty clear that this isn’t an especially propitious era for art of ANY kind, and the "serious" novel I see seem to be either the same old ultimately uplifting middlebrow family romance melodramas (see Oprah books) or arid, unreal academic efforts that read more like classroom literary exercises than anything from this world. Either the writer’s imagination is spinning meaninglessly in cuckoo cloud land somewhere or mired in a kind of socialist realism that’s designed to reinforce beliefs rather than challenge them. Take the Detroit "alternative" weekly the Metro Times for instance, that just had a Fiction/Poetry contest. Instead of applying their usual generally perceptive counterculture derived critical apparatus, the one they apply to music and movies, they turned the whole thing over to the usual suspects – the academic establishment. The result was the winners, rather than being rock and roll, were about laid off auto workers and dead relatives, full of sanctimonious, politically correct sentimentality. I expect that kind of thing from the excreble winners of the always painfully PC Ann Arbor Current Fiction/Poetry contest but had hoped for more from the Metro Times. Proof positive: UBU didn’t even get an honorable mention! And look at the NYT bestseller list for 7/30/06 – at least 14 of the 16 books listed (I’m not sure how to classify Fannie Flagg – is anybody?) are genre – mystery, romance, horror. The only clearly "serious" work is "Water For Elephants" a piece of pretentious twaddle about a Depression-era circus. The reason for this is not the bad taste of the public, as the snobs would have you think, but rather their perspicacity. Genre fiction hasn’t surrendered its engagement with real life, with the way people actually think and live. In the future scholars can find out more about the fabric of our time from one mystery than from a hundred of the books cranked out by creative writing teachers. Genre writers respect the verities of plot, character and pace in a way that the newer literary artistes disdain, the same way that modern fine artists have forgotten how to draw. The professors may review the books of their circle as masterpieces, knowing full well that their book will be similarly treated, but the fact is that there’s no there there, and literature is in danger of becoming a tedious chore presided over by "experts" and semi-imaginative embalmers, like opera or classical music.
SO – it was with trepidation that I ordered a contemporary novel with the rest of my order from my book rep. The saving grace was that it was Norwegian, and since my favorite novelist, Knut Hamsun and my favorite artist, Edvard Munch are both Norwegian, I figured it might have something going for it., and I was right. Shyness & Dignity by Dag Solstad (Graywolf Press, $12.00) begins with Elias Ruckla, a high school master, teaching, as he has a thousand times before, a class on Ibsen’s "The Wild Duck," when he has an actual fresh, and to him exciting, insight into the play. But this insight becomes almost painful when he realizes that the modern classroom has become a place where insight and enthusiasm are out of place, and indeed dangerous to the carefully cultivated boredom and triviality. As he’s leaving a broken umbrella further reminds him of the intractability of things and he’s pushed over the edge, stepping out of his bland persona to lash out at the now lively students, before walking out, his life irrevocably changed. The rest of the book consists of his thoughts and memories as he meanders through Oslo, assessing and mourning his life.
Shyness & Dignity reminded me of several of my favorite authors: Saul Bellow, especially "Seize the Day," with its portrayal of an irrevocable moment of existential dread, Samuel Beckett for its painstaking examination of the world in so absurdly rational a way as to bring rationality into question, and Knut Hamsun, especially Hunger, in its presentation of consciousness, so vivid that it can be said that consciousness itself is the hero. It’s a novel so fresh and real that it puts the pallid productions of contemporary American academic "authors" to shame. Let’s hope more Dag Solstad gets published!
YR PAL,
UBU
There was a slight smudge on the window where she’d laid her forehead, distorting the precise lines of the house across the street. She knew exactly what Charlie would have said about where she lived, remembering only too well how he’d spit out the word suburb like an obscenity. To him all the big houses and manicured lawns she and her neighbors worked so hard to maintain were no better than prisons, perversions of nature, stolen property, pretentious and artificial. Maybe so, she thought smiling grimly, but it was a lot better than wherever he was now, wasn’t it? To most people this place was a lot closer to heaven than to hell – Linda, her girlfriend from school, for instance, whose father had developed the area, making millions by transforming what had been just another of the grimy bohunk bedroom towns that surrounded the mills into an enclave for the rich refugees who kept spilling out of the city. What Charlie had seen as a predatory razing of history, Linda had found heroic, a visionary stroke of genius by the father she idolized.
Linda had been an enthusiastic and unquestioning devotee of school, church, country, family – everything her parents believed in, she believed in more. Popular despite a decided homeliness, her enthusiasm had always seemed well founded, as she became the first class president in the history of the school, and later married her first and only boyfriend, surrendering her virginity on her wedding night. Her first child came ten months later, and three more almost as regularly after, even as she worked her way up the corporate ladder at her father’s realty company, groomed as the great man’s eventual successor.
If Charlie had been aware of it, he would have no doubt found it deeply ironic that this firm follower of a disciplined, healthy lifestyle and regular check-ups had developed a malignant tumor resistant to all the weapons of medical science. Even her cherished faith had let her down – she’d caused a minor sensation at her conservative church when she’d stood up at her prayer and healing mass, her once luxuriant blond hair reduced to irregular tufts, and vowed loudly to "kick cancer’s ass" with the help of God and positive thinking. She’d died soon after, leaving career, church, children, parents and quickly remarried husband behind, her obituary considerably longer than Charlie’s, but with the same conclusion.
Now a battered pickup turned down the street and rattled past, several lawn mowers in the equally battered trailer fishtailing behind, no doubt a landscaper getting in one last grass cutting before the raking and shoveling season began. She’d always thought that if she knew one thing about herself it was that she was a survivor, but lately she’d come to realize that her survival was simply an accident like any other, that it really didn’t have anything to do with her. The way people thought about things didn’t matter, their beliefs were just another way to shield themselves from the world, like a white picket fence or the glass in a window.
Her forehead fell back to the pane and for a moment all she was aware of was the sway of shadows.
— the end —
It doesn’t pay to try
All the smart boys know why
That doesn’t mean I don’t try
I just never know why
– Johnny Thunders
I must have talked incessantly about myself, about how I really didn’t want to do anything, about how, even if I still wrote, and used to think of myself as a writer, I didn’t any longer, how I thought of myself as a man with nothing to do in the world ever, except to remain conscious, and that was what the writing was for, for my own use and the use of my friends.
– Alexander Trocchi
The way attacks on the consumer society become products to be consumed is, to put it delicately, discouraging.
– Pauline Kael
The novels do not imitate reality, they imitate writing.
– Charles Lyons
The aching beauty which harasses the artist can scarcely be said to derive from matter.
– Julian Jaynes
Whether it was by conscious decision or through a subconscious inclination, one senses that they both strove to evoke an awareness of both the ideal and the actual in their work, to convey what in philosophical terms might be expressed as a consciousness of the absolute inherent in and pervading the relative.
– Jerome Jordan Pollitt
Life is a phenomenal thing.
– Hector "Macho" Camacho
Love is for the Athenians an acceptance of beauty through every sense at man’s disposal.
– Rom Landau
Her two hand clung around my neck; had she been shipwrecked she would not have clung more desperately. And I did not know if she wished me to save her, or if she wished us to drown together.
– Raymond Radiguet
The harmonicas play
The skeleton key
And the rain
And these visions of Johanna
Are now all that remain
– Bob Dylan
I guess agriculture is better than no culture at all.
– Lou Holtz
Kind of busy today with the art fair (mostly busy suppressing my homicidal urges toward the human herd, I’m afraid) so I’ll burden you with another piece of my juvenilia circa 1975 —
Moonlight Sonata
The moonlight stretched like a road onto the water. I was compressed, at the eye of a hurricane, the sand tingling around me. I felt rather than heard her tenuous footsteps as she led herself to my side. Her hand grazed my shoulder and fell to my hand, joining there as if it were another part of my body, our shared blood flowing in and out with the waves. The dance of the figures of light upon the water was complicated by the arrival of a warm rain, its drops flowing directly to our veins. There was thunder beyond the dome of the sky, adding a gentle bass line to the sonata.
The waves slowly began to shift colors; now red, now blue, now a muted yellow. Huge undefined shapes played underneath the water’s surface, threatening to break out onto the shore. There was a fluttering as great flocks of phoenixes and nightingales wheeled endlessly above.
"What is happening?" She said, her face calm, devoid of fear or wonder.
"Can’t you see?" I said gently. "It’s the end of the world." Leaning back slowly, I closed my eyes.
The Horse Ring
This horse ring’s a round we can’t help repeating
A mount as old as you and me
A lying understanding on the hillside
A spur to do just what we shouldn’t do
As broken as the last straw on your back
SWAY (PART THREE)
She’d been in a lot of classes with Charlie that first year and had been intrigued by him from the start, even though he was so firmly outside her quickly drawn social circle. In a school where those who weren’t jocks or popular were tacitly and not so tacitly encouraged to remain as inconspicuous as possible, Charlie had stood out in his stubborn refusal to try as hard as everybody else to be like everybody else.
She’d finally gotten to know him at the literary magazine, a circle of overly sensitive adolescents who composed moony stories and poems to and about each other and then published them in a little magazine once a year. She’d written and drawn little scraps of things for as long as she could remember, an interest her popular friends found acceptable in a girl, if, like all girlish things, slightly ridiculous. With his acerbic wit and more obscure idealism Charlie held sway over the lit crowd the same way her boyfriend lorded over his.
As, much to the consternation of the black clad poetesses, she began to attend their meetings, she felt his attention almost unwillingly drawn to her, and his hand in her slow acceptance and advancement in the group. He goaded and chafed her as he did the others, but, already an aficionada of male desire, she could sense the attraction underneath. They began to meet at lunch and the library, at first seemingly by accident, but later with clear intent, initiating long discussions; arguments and dialogues on all sorts of topics, he elucidating his precociously developed nihilistic philosophies, but also listening, solemnly considering her awkwardly serious thoughts and nascent creative efforts, the very things she hid from her boyfriend for fear of ridicule.
Strangely, though, she felt most attracted to him when he excoriated her, mixing stinging sarcasm with an attack on everything conventional in her life, dismissing all her friendships and beliefs, and challenging all the “normal” things she liked and took part in. Although she often felt overwhelmed in the face of his ferocious arguments, she’d never completely given in, never conceded that he was all right and she was all wrong, a refusal she could tell impressed him far more than the nodding acquiescence of his acolytes. They’d grown surprisingly close, but some final layer of irony and caution had prevented them from getting romantically involved, their relationship continuing in and around both their amours, his with a succession of long haired bohemian girls, one of whom tried to kill herself (with aspirin!) for love, hers as the long-standing, almost ceremonial consort of the athlete king, who exercised his largely passionless suzerainty over her even after he’d gone away to college.
It was for the best that they’d never taken the next step – the two of them together would have been impossible, like a tiger and an ape – not in that zoo, anyway, and she though they both tacitly understood, but somehow after they’d graduated Charlie had lost his balance.
They’d gone to different colleges, the distance seeming to affect him more than her, his letters coming twice as fast as her replies, which grew shorter and colder as his grew longer and more wildly intense. In the end this paragon of non-conformity had been distressingly like the rest, appearing unannounced at her sorority house, disheveled and out of control, saying she was the only woman he’d ever loved, finally falling to his knees, sobbing, begging him to come away with him. She’d run away, leaving her sorority sisters and their frat boy friends to throw him out.
He’d written contritely to her later, apologizing, trying to make light of the whole thing as a drunken escapade, but she couldn’t bring herself to answer. Even after they’d both graduated and were living in their home town, they hadn’t been able to get much past an embarrassed hello the few times they’d run into each other.
And where had that dark, contrarian philosophy she’d internalized gotten its creator? The last time she’d seen Charlie, he’d been in a seedy bar one of her more demanding boyfriends had dragged her to, declaiming verses about his great lost love, too fucked up to even recognize her. She hadn’t been surprised to hear he’d died shortly after, alcohol and drugs, a suicide one way or another, all those ardent poems he’d written long discarded and forgotten. She kept his brief obituary in a book he’d given her – she wasn’t really sure where it was at the moment.
Plausibly Divine Fragments
Four and three and two and one
When I’m on the mike the suckers run
– The Beastie Boys
I Flashed With Passing Colors
We step and do not step into the same rivers, we are and we are not.
– Heraclitus
The Pythagorean Women
Hence Heraclitus reasonably called phallic ceremonies remedies, since they will cure our troubles and drain our souls of the misfortunes of mortal life.
– Iamblichus
Refuge in Gesture
Declining from the public ways, walk in unfrequented paths.
– Pythagoras
Dead Men Charged With Atom Rays
The play does not work towards the clarification of meaning but, rather, towards the clarification of the impossibilty of meaning.
– Charles R. Lyons
The Shirt of Nessus
And the flag we’re flying is the new flag on the land.
– Plant/Page
The Praxitelean Curve
What a joy to hear the utterance of a rasta.
– Black Uhuru
The Rescue of the Forsaken Ariadne
It is better to live here in sack-cloth and ashes, than to own the whole state of Ohio.
– Lafcadio Hearn