Cancer in America
Wears a knife on his belt
He cuts off one part of you
And then another
He licks out the marrow
While crawling inside
Of your bones
He sends you downstairs
And when you come back up
You’re covered with blood
Cancer in America
Wears a knife on his belt
He cuts off one part of you
And then another
He licks out the marrow
While crawling inside
Of your bones
He sends you downstairs
And when you come back up
You’re covered with blood
Doing The Boston Monkey: Quote Bag
For intellectuals, what is at stake specifically in an inquiry of this kind is a cultural politics which seeks to learn from the forms and discourses of popular pleasure, rather than adopting or supporting a legislative posture in the name of the popular.
– Andrew Ross
We’re half dead. Most of the people today are all dead.
– Phillip Rahv
For let us not deceive ourselves: most of the minds we associate with are housed in heads that have little more to offer than overgrown potatoes, stuck on top of whining and tastelessly clad bodies and eking out a pathetic existence that does not even merit out pity.
– Thomas Bernhard
Let us leave the dirty bourgeoisie – even if they are our own children – in their dirty place and finish the work we have begun.
– Paul Gaugin
The Noise of a Party
(Adapted from the novel Satan in Silk by Paul V. Russo)
The noise
It flowed, rumbled, roared from
Behind the door at the head of the stairway
Some of it poured from overheated bongo drums
Some of it crackled from shoe leather
Scraping over bare flooring – and all of it
Sounded like a thousand feverish carpenters
Rushing to finish a job with a contracted deadline
The noise of a party
A big party
The kind of a party that any guy in his right mind
Would stay away from
Unless he was looking for trouble
The noise of the party was a Lorelei’s song
That lured and enticed and blasted
His good intentions into smithereens
Behind the door the activity
Would soon be mounting
To a hectic peak and
Pretty soon there would be
A spate of loose tongues
And loose morals
And loose zippers
And Adele Van Hoyt, hostess
And self-appointed games mistress
Would turn off the lamp
And light a candle or two
And the sounds would fade away
To sighing silence
Masked by the orgiastic rhythm
Of bongo drums
Student arrested after table thrown
A 20-year-old University of Michigan student was arrested after he threw a table into traffic Saturday evening and ran from police, Ann Arbor police reported.
Officers on patrol in the 800 block of Packard Street at 8 p.m. said they saw the student pick up a circular table and throw it into the street, followed by a stand. The table was blocking traffic and the officers got out to tell the student to move the table off the street.
The student ran and the officers gave chase. The student was eventually tackled and could face charges of disorderly conduct and resisting police, reports said.
Bethany: Part VI
It wasn’t really enlightenment in the traditional Buddhist sense of the word – remembering my past lives – but more like somehow remembering my future life, a timeless instant when I achieved a kind of perspective on my whole existence, as if I understood things the way I would at the end of my life rather than at the beginning. When you’re young you have no sense of scale, little things seem big and big things little, and you honestly think that it will all go on forever, an inexhaustible, endlessly fresh parade of possibilities and people, but at that moment, confronted by Bethany, I was able to see beyond my transitory anger and frustration to realize what I already knew but hadn’t been able to admit – that she was absolutely right about the class ode and had been quite courageous in standing up to me about it. I was also able to recognize that standing there in front of me was a rare, admirable girl, the kind who didn’t come around very often, and that if I didn’t get to know her any better I’d regret it the rest of my life.
I took a step back, trying to break the tension, to defuse the anticipation of the crowd around me for whatever scandalous rejoinder I was going to come up with next. "Sorry," I said, practically whispering. "Listen, you’re right, I’m out of line." I held up my hands, fingers spread, as if to show I had no weapon and meant no harm. "Would you mind – I wonder if we could go outside for a minute and talk in private…"
She was caught off-guard, ready for anything from me but this, and she just stared for a second, her thick eyebrows drawing together. "Outside?"
"Yeah, you know, not like step outside, or anything like that, it’s just I think it would be easier to talk, you know, without everybody…." I indicated the circle around us, her friends Bets and Pat, trailing after her wide-eyed, their books pressed to their breasts, ready to be once again outraged by me, and my friends, Doyle smiling evilly, eager no doubt to egg me on to further infamy, or the Smiler, half crouched at the table, preparing to spring up to separate us if things got out of hand.
Bethany tilted her head, studying me, far from certain as to my intentions, but then, never one to back down from anything, nodding slowly. "All right," she said. "Outside." We walked out, the crowd parting for us reluctantly, Bets and Pat exchanging panicked glances but resisting the urge to follow.
The dining hall was in the middle of campus, halfway between the classrooms and the gym, and I held the door open for her as we stepped into the bright March day, walking across the driveway and onto the grass at the edge of the quadrangle.
"I can understand UBU," Bethany began, having obviously marshaled her arguments on the way. "That you think you should do the ode, and while it’s true that you probably are the best poet, you have to understand that I’m responsible to the administration…"
"No, no, Bethany, I do understand," I said rasing my hands in surrender again.
"And the teachers and the other kids. You may not think graduation is important, but there are a lot of people who do and it’s unfair to…"
"Stop, Bethany, please!" I said. "I’m trying to tell you that I agree with you. You’re right and I’m wrong. I agree with you."
She paused, still half lost in preparing the details of her argument. "You do?"
Ellen’s Hymn to Inanna
She gave me the kick of speeding
She gave me the trick of lovemaking
She gave me the kissing of the phallos
She gave me the holy tavern
And the sacred fermented grain beverage
She gave me the immolation of the weed
She gave me the art of sisters’ harmony
She gave me the mantel of the elder
She gave me the play of the heroine
She gave me the story of power
She gave me bic fire in the darkness
She gave me the rejoicing of the heart
She gave me the sundress and the nightgown
She brought the placing of the garment
On the ground
She brought the allure of Heaven
She brought the art of women
Hail Inanna!
Queen of Heaven and Earth!
A MONKEY BEING FROM THE LAST CREATION
Everything has been reversed in Nerval, because his life is a faint transcription of his dream.
–Wallace Fowlie
She writes sincere pages only to excite and intensify her own sensations.
–Maurice Barres
Being a romantic, Xovirax chose to remain faithful to his strongest orgasm or abandonment of identity.
– Kathy Acker
There is no God, or else she is one.
–Rachilde
Such a passion, among its many attractions, conceals a barbed sharpness which hooks especially the lofty souls of poets and artists. Inexplicable to the crowd, such passions are fully explained by the thirst for ideal beauty which is characteristic of creative natures.
– Honore de Balzac
As Dionysius says, the divine ray cannot reach us unless it is covered with poetic veils.
– Aegidius of Viterbo
There is no science of man, man being essentially the bearer of rhythm. Rhythm can not be introduced in a diagram. Only a few very exceptional individuals, the "great madmen," can receive a vehement revelation of it, presaged by their sexual disorientation.
– Blaise Cendrars
Even an erotic work of art has a sacred quality.
– Egon Schiele
One observed her with interest and curiosity like a magnificent thunderstorm.
– Benjamin Constant
Cut the conversation, just open your mouth.
– The Cure
The Hippy
The Hippy loved to roam the streets of the city, his hands in his pockets, his mind wandering with his feet. One day while walking in an unfamiliar neighborhood he heard a cry that astonished him. It was bird-like and human at once, and it echoed in his mind after his long gait had taken him away. When it sounded again he stopped and turned around, and once more it rang out like the scream of a great jungle parrot. It was hysterical yet seductive, the harbinger of life far more immediate and vital than his own.
He doubled back to the tree from which the cry had seemed to come, but saw nothing, only the fleeting impression of a swirl of bright wings at the edge of his vision. He waited a moment, then continued on, deep in thought.
Later, as he lounged by the reflecting pond on campus, the memory of the almost seen bird returned, and he seemed to hear its cry again, this time coming from behind him. Then he realized it was the growling, rumbling sounds of the alligators as they drew up from the swamps and came to the pond for the evening. As if awakened from a dream the Hippy watched their lumbering reptilian lines approach the water. No one else was in the park and he felt the same mysterious sense of nostalgia he’d experienced on his walk.
Suddenly there were alligators all around him. He had blocked their way and they continued to the water, oblivious, crawling over him, rubbing their rough cold skin against his, familiar as lovers. Then he was down at the water’s edge among them, stumbling, reaching one tentative foot out to the pond. As he tried to stand, to walk on the water, he fell, splashing wildly. Startled by his sudden movement, the alligators snapped at his angular form as if to hold him still, one fastening to his leg, and, as his struggles intensified, more gathered and began striking.
As if watching another person he saw himself hanging limply in the jaws of a huge animal, the half-remembered bird of the afternoon fluttering out of the shadows around him. He heard its cry now and recognized it as his own voice, hysterical and wild.
Bethany: Part V
And what I wanted from Bethany was simple (no, ease your dirty mind, it wasn’t that, sorry to say, that part comes later) – I wanted to compose and recite the class ode at graduation. You see, of all the high school poets who took themselves oh so seriously, I took myself the oh so seriousest.
It’s not that I wasn’t pretty good, after all several of my teen efforts have made it into my collected works (which is saying a lot, thank you very much). Even though I now in retrospect believe sweet Virginia was the better poet, she wasn’t as inclined to toot her own muse-ical horn, and it was fairly obvious even to those who didn’t have a high opinion of me that I deserved to deliver the aforementioned ode, a poem written by the class’s preeminent poetaster commemorating our common Pitt Prep experience.
The only problem with the scenario was my well deserved reputation for rebellious obnoxiousness. I’d carefully cultivated the image of a contrary rebel who sneered loudly at authority and now I was paying for it. Why would anyone in a position of power take the risk of having someone like me stand up at graduation and bellow some scabrous "Howl"-like diatribe against our dear alma mater?
In fact, I’d already begun a heartfelt, conciliatory lyric about hating and loving the place (which I did), but hadn’t bothered to inform Bethany or anyone else of my intentions. No, all I knew, with the concrete certainty of youth, was that I deserved it, and that therefore I should get it, and Senior Class President Bethany should give it to me.
It all came to a head when Bethany came over to our table in the dining hall to consult with Vice President Smiler. I’d already heard from him that there had been an executive decision that Littleman Henry would deliver the ode, which enraged me even more. Littleman was a friend of mine, and one of the few people that I recognized in those ego inflated days as being smarter than me, but he was no poet, and in fact one of the outstanding characteristics that had brought him so much success in life was his complete lack of originality, poetic or otherwise.
Bethany had been avoiding me, but now she’d stepped in close range of my verbal guns. "Hey, Prez," I sneered as she and the Smiler consulted. "Is it really true Littleman is going to do the class ode?"
Unlike most politicians, she didn’t equivocate. "Yes," she said shortly.
I stood up and got right in her face, the most notable aspect of which was, unfortunately, her large, crooked and somewhat pointy nose. "Why, Prez, I mean, everybody knows I’m the best poet, Prez…"
"Yes, but…" Her cheeks flushed, but that nose stayed dead white, standing out even more like the frozen ridge of some icy precipice. "People were concerned that you wouldn’t be…appropriate."
"APPROPRIATE!" I bellowed. I was quite expert in using my verbal facility to intimidate, and there was fear in Bethany’s cool blue eyes but also great resolution. "And who the hell are there people, Prez?"
She held my furious gaze for a beat and then spoke softly. "And I’d appreciate it if you didn’t call me Prez."
All at once I was disarmed, all the sarcastic rejoinders dying in my throat. At that moment I felt a profound shock, like a cup of water in the face or the wack of the sensei’s stick, a shock that produced a kind of enlightenment in me.