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"See anything you like?"

"Huh?" It took me a second to realize that Tekla had caught me looking down her blouse as she leaned over the table, and another second to become completely and paralyzingly embarrassed. "Uhhhh…."

But Tekla just laughed. "Oh, don’t worry, no big deal, I’m used to it. There’s a couple of boys in my class who spend half their time sneaking peeks. Can you believe it, at their age?" She laughed again. "And mine!"

Finally I regained enough composure to say "I guess they grow up fast these days," in almost my normal tone of voice, quickly wishing I’d been cool enough to say something teasingly suggestive — Yeah, there are a couple of things in there that interest me, being the best that I could come up with after much after the fact thought.

Tekla taught third grade and I taught fifth. We had both started at Saint Martin’s at the same time, had gone to the same college and were often thrown together, at first by necessity and later by choice, natural allies while navigating the treacherous shoals of classroom and staff meeting. A real affection grew between us, along with the unsettling shadow of sexual tension, inevitable with a man so appreciative of female beauty and a woman so blessed with it.

To me she was as attractive at forty as she’d ever been, graceful and confident, with the kind of bedrock beauty that transcends age. We were both married, happily enough on my side, and apparently her’s as well, although I would learn in time that that wasn’t quite the case.

Intimate, but never physically so, we’d confined ourselves to an infrequent collegial hug, carefully overlooking the fact that I was a man and she a woman, a difference that can be ignored indefinitely in theory, perhaps, but only for so long in real life.

Tekla didn’t dress as suggestively as the second grade teacher, with half her blouse undone, or as primly as the librarian buttoned to the neck, or even as comfortably as the principal in her St. Martin’s sweatshirt, but stylishly, very aware of the impression she was making, clearly feminine but never overdone, with her bracelets and earrings and thin gold chains, her usual outfit a simple white blouse and black slacks, but varied with enough dresses and skirts that it never seemed like a uniform.

I’d read an article by a female academic in one of the journals which asserted with complete certainty that being a woman in our culture necessitated the conscious, forced assumption of an artificial and dramatic femininity, an imperative to play the role as conscientiously as a drag queen. As is common with many theories, I believe that statement says more about the person making it than the ostensible subject – certainly, although she had an inherent understanding of posture and presentation retained from her ballet days, Tekla’s femininity came quite naturally to her, laying lightly at even the most unrehearsed moment.

Obviously I thought about her a lot, too much probably, her clothes, her hair, the way she smelled, the way she said my name, those intermittently revealed legs. I certainly didn’t want to call it love, and it wasn’t, not in the sense of some irresistible, crushing romantic force, but there was undeniably a very real sweetness there, the kind that made me willing to get out of bed each morning and continue going through the motions of what had proven to be a disappointingly meaningless middle-class, middle aged life.

But all that was prologue. Inevitably, even in the most predictable, pedestrian existence, lines appear that must either be crossed or completely avoided, and it was then, with that one question that, despite all that had gone before, our relationship really began. See anything you like? At that moment I think we both knew, for better or for worse, that everything between us had changed.

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A Bold and Capital Manifesto from UBU

This is (at the moment) the FIRST KNOWN PIECE OF HUMAN ART! And what is the subject? A NUDE WOMAN, the depiction of which EVEN TODAY is considered CONTROVERSIAL by both the CHRISTIAN RIGHT and the POLITICALLY CORRECT LEFT. Even before the CHRISTIAN ERA some philosophers DEMONIZED the HUMAN BODY and TERRESTRIAL EXISTENCE (which, after all, IS ALL WE CAN KNOW). The CHURCH once in COMPLETE CONTROL exhibited an OVERT HATRED of WOMEN and the NATURAL WORLD, waging a CONCERTED CAMPAIGN against the DIVINE FEMININE and SACRED SEXUALITY, even marginalizing WISDOM HERSELF. As in this piece of PUREST ART we must RESACRALIZE the FEMALE BODY, NATURE and EARTHLY LIFE if we are to achieve a VIABLE EXISTENCE on this, our MOTHER PLANET and TRUE HOME.

Posted in Cosmic Verities | 3 Comments

Noir

This is a very good noir novel by the author of They Shoot Horses, Don’t They?

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the Beautiful

When one of her pupils fell in love with her, she displayed and threw before him one of the rags she used as a sanitary napkin, and said: "You are in love with this, young man, not with the Beautiful."

– Dennis Ronald MacDonald

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Cappy’s Café

 

Slim pure forest dark

Sweet in your prime

Glittering jewelry

Spiral bracelets

And shining earrings

Double strands of

Deep blue beads

Transcendent

Immanent

The goddess

In matter

Sitting straight

As the sacred oak

Whose thighs are holy

Specifically in this instance

Outside Cappy’s Café

As you uncross your legs

Under the glass table top

The contents of the shadows

Superluminous in gloom

Flesh and fabric whatever

Desire permits

Your skirt the city

Your tender frame

A creeper on

The brick wall

 

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Hair Today Goon Tomorrow

Fox Chapel High 1987

Isn’t it funny how the thing that is most fashionable at the time can seem the most ridiculous a few years later? Although I prefer style (it’s cheaper), I have nothing against fashion because it’s the principle way that ideas are popularized these days. So what’s the concept behind this look? Bigger is better is what springs to mind, and it’s actually not as flip an idea as it sounds. After all that was one of the guiding principles of the Reagan years – big business, big military, big brother – even government, which he famously derided, quickly became bigger than ever under his guidance. The thing about fashion is that whatever is fashionable inevitably becomes un-fashionable, even if that thing is cool. Look at the Rolling Stones, the eternally greatest Rock and Roll band who are soooo out now for having the temerity to grow old and remind the boomers they’re growing old too – at least half the Beatles had the grace to die young where they can remain comfortably in nostalgia. The first thing I see when I look at this picture is artificiality – like Reagan, the hippie arch-nemesis, you can see this do as a reaction against the fashions and hence the ideas of the sixties, a time when a whole lot of new concepts that were bubbling at the avant garde margins finally broke into the mainstream. The naturalism and "authenticity" so prized by the age of Aquarius, which expressed itself in long, straight hair and very little make up has found it’s opposite here. Of course that look was itself a reaction against the made up artificiality of the fifties and here the cycle has recycled back to the bouffant. Not that there’s anything inherently wrong with artificiality – after all it’s the guiding impulse of my beloved decadence, and self-aware artists like Roxy Music and David Bowie were able to do great things with it – but the results in suburban hair styles were not so good.

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From The Great Lakes Literocity Arts Center Collection of the Americas

INNOCENT…

BUT DEADLY!

Tia, wild as a summer storm, drove men – and women – into a frenzied plunge into erotic sensuality! For Lisa, older but not wiser, Tia awoke the ecstasy of unnatural love. For Frank, she was the spawn of Satan. For herself…there remained only the pit of despair…until real love saved her!

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Novelization and Its Discontents

I’ve just completed a fairly odd and apparently purposeless project (my favorite kind!), inspired, as per usual, by books that caught my eye. I kind of collect novelizations of obscure movies for the store, and two of them intrigued me enough to go the extra mile and get the movies on e-bay (cheap) too. You have to love the titles – "What the Peeper Saw" and "Picture Mommy Dead." I think it was when I put the latter in the window for the Mother’s day display that I figured I might as well read it. It’s got a great cheese cover – a woman (I thought it was Zsa Zsa Gabor, but it’s one Martha Hyer) holding a candle and a pair of scissors, menacing a little girl. The funny thing is that it’s not a still, but a set photograph, and it’s clear that it’s one of those prop candles with a light bulb in the body – you can see the piece cut out of the plastic and even a cord and a battery in the actresses hand. "What the Peeper Saw" has a seventies photo cover of a screaming, naked woman’s whose vitals are artfully obscured by rippling water.

I don’t think I’ve ever read a novelization before. I’m not sure why they exist, really, except as some promotion for the movie. They don’t seem to do them that much anymore, which is probably good. Everybody knows that a novel is almost always better than the movie they make of it, and I guess that you should really see the movie first so it’s less disappointing. I’m not sure of the etiquette with novelizations, but I read the books first, and really I can’t say any of the four, books or movies, were that good, but, of course, the discerning mind finds interesting speculations from any material. In the absence of such a mind we’ll just have to go with what I came up with.

With "Picture Mommy Dead," the screenwriter was also the author of the novel, which, I suppose might have even been conceived initially as a novel. Robert Sherman adds a rather ornate, and often faintly ridiculous, Faulknerian prose style to his Southern gothic. A girl returns to her old Southern mansion from the insane asylum after her mother’s death – but is she still crazy or a victim? And exactly how was her mother burned alive? The written word is capable of unlimited production values and perfect casting, something the film makers were denied. The venerable Don Ameche certainly brings a presence to any film, but Zsa Zsa Gabor’s Hungarian accent couldn’t pass for Southern in any universe, despite the cameo nature of her role. The young girl didn’t seem attractive or talented enough to be pursuing acting, but I have since learned she was the Producer/Director’s daughter. The film wasn’t unwatchable, a mildly entertaining slice of creepy camp, but the book doesn’t add much but overwriting.

"What the Peeper Saw" is also known as "Night Child," or even more puzzlingly, "Night Hair Child." There’s an exploitation element to it, which is always good, as well as a sort of foreign film feel, as it was one of those dual Spanish/English deals. The boobs are bared from the opening shot, but really only tease from then on. There’s also an ambiguous child with a dead mother at the center of this tale, the young genius Marcus who is certainly odd but may or may not be evil, a distinction his new step-mother may be dying to find out. Although many seem to be turned on by the young star of "Oliver!" playing such a sinister role, Mark Lester doesn’t really convince as a preternaturally sophisticated moppet, an idea that’s really more tenable in abstract prose than on the screen. I thought Britt Ekland was largely convincing in her role, and certainly brings an erotic charge to the screen. The kid/adult erotic angle adds a frisson, but the movie remains kind of clunky. Again, not unwatchable, but not especially compelling either.

The book is novelized by one Jack Gratus (did he work for free?) from Trevor Preston’s screenplay, and it’s significantly different. For one thing, it’s in the first person, which brings an added ambiguity to the stepmother’s paranoia. Gratus creates the rather affecting voice of a swinging cool chick of the era that Ekland couldn’t pull off without a voice over. The most surprising part is the differences between the book and the movie, including the ending. I’m assuming there was a late change in the script, but I think the book’s ending is a little more subversive. All in all, I guess this tandem was a little more to my liking, although I would hesitate to strongly recommend.

Here’s my fave quotes:

He knew her body well. He knew all its secrets. He knew its grace and its infamy; its pride and its vanity; its nobility and its vulgarity. How like a queen the slut is, he thought.

from Picture Mommy Dead by Robert Sherman

 

"Sounds hip,: I said flippantly.

"Good fun all around," Paul said with a sneer.

 

In the center, stretched out on a table was a pretty young black girl. She was naked and she must have been really bombed out of her mind on drugs or something to allow them to do what they were doing.

 

I thought it looked quite clever – a sort of impromptu happening. But the atmosphere was wrong.

 

"Here, Slam," someone said, handing the big man a slim cigarette. "Give her this. She’ll feel better.

Slam put the joint between the girl’s lips. "Pull on that," he snapped.

 

She swayed. "Well, once upon a time there was this beautiful woman who had this beautiful husband and this beautiful son and everything was beautiful for them because they were all rich and beautiful. Then…"

 

Jesus Christ, 1970’s style!

I thought.

 

It’s uncool to show too much emotion.

 

"Drop the paperback psychology, Paul," I said. "It doesn’t impress me."

 

I thought to myself: I bet you do, Doctor.

from What the Peeper Saw by Jack Gratus

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(Then We Will Remember) Graduation Day

Well, my daughter has graduated from high school, which is why I missed my blog yesterday. Hopefully most of you have survived the crushing disappointment. I’m still recovering from the graduation party (not the partying, but the setting up and tearing down) as was as the continuing draining presence of my closest living relative but I do have a few gems from notes I jotted down during the marathon ceremony.

Here’s a phrase of wisdom from the class president, who was no advertisement for the excellence of the English department:

We will remember the successes we have endured.

 

And, I know it’s immature, but as I listened to the over 630 names as they were being called out I couldn’t help having a few of them hit my ear in a tingly way:

 

Claire E. Eisentrout

Miriam Elynn Weaverdyck

China Whitehead

 

Anyway congratulations to all…

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UBULOGO

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