hopeless

Procter, Dod, 1892-1972; The Golden Girl

Hopeless
Even the golden daughter is hopeless
Despite her combination of grace and speed
Even the golden daughter even in shorts is hopeless
Can this be what the world is looking for?
Even the golden daughter even in shorts
Even at this time of night is hopeless
Bare legged but royal looking
Even her smashing the window of the van is hopeless
But she’s hungry enough to accept that
As within the holy, charged doorway
She looks up at the domelight and says
We don’t even know where we’re going

artwork:
The Golden Girl
Dod Procter (1892–1972)
The Ingram Collection of Modern British and Contemporary Art

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From a Hynagogic Journal, Pt. 8

But, just when the magnetic attraction between us was at its height, she pulled back, quite consciously, with a start, as if forcing herself awake.

Well, she said flippantly, quickly regaining her composure. I’d better go. Can’t let you get me drunk.

Oh, come on. We just started!

No, really, I’ve had my limit.

She’d drunk a beer and a half in the time I’d sucked down four or five.

At least let me walk you home.

She stood up. Really, you don’t have to.

I know, but I want to. I got up too. Please.

Don’t you want to be with your friends? She nodded slightly toward their table, giving the first indication that she’d been aware of them despite all the curious glances and Ungie’s frequent venomous stares and nasty sotto comments.

No, I want to be with you, Kathy.

She rolled her eyes, laughing half nervously and half derisively.

Seriously. Please. Besides I can always come back here, right?

What about the rest of your beer? She said, indicating the half filled pitcher.

Here –

I set it on the table of a group of Junior apprentice debauchers next to us. Here you go, guys. Go nuts.

Cool! One of them said, beaming. Thanks, man.

See? Now, let’s go.

Betsy bowed her head, exasperated, yet flattered. Fine. You can walk me home, she said, with the clearly implied postscript And that’s all.

True to our individual forms, I lived with three malcontents in a bohemian, semi-ramshackle bungalow (dubbed Okey-Dokey Farms) which was built for married students after the war, while Kathy lived in the bottom of a more modern duplex appropriately known as the New Apartments.

There were fraternities but no sororities at our college or else Betsy would have belonged to one, as would her roommates, all vaguely preppie types clustered around the cynosure of a a very slightly black girl of high social standing and strong attractiveness to the Dekes, the same way Kathy had been one of the flock of the less attractive surrounding Virginia back in High School.

Our walk took us to the far end of campus, and we didn’t talk much, just burrowing into our coats in the rapidly cooling weather and commenting on the more blatant party casualties already dotting the night. Still, matching stride with her, watching our breath cloud in front of us, for the first time really alone, the hyper awareness of her physicality I’d felt in the theater returned, heightened by the realization that soon we’d be having a moment of truth at her door. Similarly, I could sense her habitual easygoingness tighten as we got closer and closer to her apartment.

Listen, UBU, this isn’t…

She burst out as we stopped at the lighted entranceway, delivering the words she’d no doubt been preparing on our walk. I mean, I don’t think you should come in.

I know, I know, don’t worry.

I lay my hand on her shoulder gently. I’m not going to take advantage of you now that I’ve gotten you drunk and everything. She smiled, seeming quite comfortable under my touch. But I would like to kiss you. I bent to her and there was nothing awkward about it as our lips met. Mmmmm….

We paused, our eyes meeting the way they had in the bar, but this time she didn’t pull back. And I’d really like to see you again. Go on another date.

She actually colored above her cheekbones. All right, sure, why not.

Tomorrow.

She shook her head in grinning exasperation. No.

O.K., then, next week. We’ll do the same thing. See another weird movie.

Sure. She leaned toward me and we kissed again, her hand on the back of my neck. Well, goodnight, she said, looking shyly away and turning decisively to open the door disappear behind it.

Yeah, see you.

I stayed there, the press of her still soft on my lips, surprised at how strong my desire for her had become, at how hooked I already was.

 

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Baudelaire/Rilke

Souls of those I have loved, souls of those I have sung, strengthen me, support me, rid me of lies and the corrupting vapours of the world; and you, O Lord God, grant me the grace to produce a few good verses, which shall prove to myself that I am not the lowest of men, that I am not inferior to those whom I despise.
 
                                   — Charles Baudelaire
 
 
Temples are no longer known,
It is we who secretly save up
These extravagances of the heart.
 
                                     — Rilke
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Mouths of Dead Horses

Mouths of Dead Horses

 

In the dead of winter

We buried horses under the snow

 

I passed you with

Dirt under my fingernails

And cold blood on my coat –

I thought you saw

 

Sometimes it gave me warmth

Clutching those stiff manes

It made me feel important

To touch the dead

 

I don’t know why we buried them

I saw the empty eyes

And grinning teeth

And said nothing

 

I am here

Because some workmen

Drawing boats

Onto the shore

 

Found a dead horse

In the mouth of the stream

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Persephone

Persephone

 

Be kind to her

She is willing to grow complete

Cultured in mourning

She knows perfection is only too close

One bloody perfect moment

After which there is no other

 

Nimble

Swept in far descent

Wise Dear Grave

Looking back over her shoulder

A terse text of deflection, depth

Palely visible beneath

Scratch of bang

And splinter of voice

Saying the things we say

And the things we never

 

With a need deeper than memory

I touch her arm

As she comes down those stairs

Almost crossing the dark plane

The invisible forever wall

That makes an act out of all we do

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After Grace

After Grace

 

The night they smoked marijuana together

Caroline and Stephanie in Monaco at the shore

Grim as goddesses standing in the surf

On the horizon a shining spherical envelope

Metallic indistinct then quickly close

Blue to green to purple to white

Sparks and flames dancing on its surface

Burned like one and shivered like the other

Not cloud not plane not boat not star

Aspects of the bright object

Beginning to assume aesthetic meaning

The single tree in the forest

The life reviving herb

The emanation of beings that walk other paths

The star image encoded in juxtaposition

The problem being

Not to understand it but to stand it

The Mothership

A late manifestation of Grace

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From a hynagogic journal, part 7

"The artist is sexual because he goves forth emanations." — Otto Weininger
So here goes….
 

At Pitt Prep Kathy had been at the center, the inner circle – cheerleader, gymnast, field hockey player, just the kind of cheerful, responsible, spirited female that the powers that be pictured when they made the school co-ed. I, on the other hand, a cynical, non-conforming rebel was the kind they didn’t want in the picture at all. Even though the boys didn’t involve themselves with her romantically, Kathy was still conventionally "popular," pals with the other populars, and the Dean, various teachers and even the Headmaster himself, the very people who tried so often to convince me I was a terminally maladjusted malcontent, showered her with appreciation and praise.

But when we emerged from the dark hole of what I later learned was considered one of the most conservative and medieval prep schools in the country into the gentle light of a small, non-athletic, liberal liberal arts college things became quite different. Suddenly pep and school spirit were corny and cynicism and non-conformity cool. It’s common to describe the Carter years of the late seventies as a time of dispirited disillusion, of ennui, malaise and decadence, and I suppose all that’s true because I loved it, and for the first (and last) time in my life I felt at one with the Zeitgeist. At that time and at that college I was where Betsy had been at Prep, central, in the middle of things, everybody’s pal, the avatar of cutting edge values – even the teachers and administrators seemed to appreciate my creativity and provocations – while she became just as suddenly anachronistic, at the margins, a spectator in a world without pep rallies. (Of course in the long run un-hip Kathy would be proven right. Life, as they say, is more like high school than college, and the back to baloney rah-rah of the ultimate square Ronald Reagan loomed right around the corner).

My reverie was interrupted by the arrival of Megan bearing our pitcher. There ya go.

Thanks, Megan

, I said, folding a bill into the tip jar on her tray. We’re all set.

O-kaaaay….

I’d ridiculously over-tipped, the equivalent of an hour in the pit, and Megan looked slowly from me to Kathy until summoned away by further banging and grunting by the Dekes.

But in another way….

I poured a glass for Kathy and set it in front of her before pouring my own and quickly downing half of it. In another way I’ve never – I don’t know – never felt so alive as I did back at Prep. Like every day everything was possible, everything was important, you know? I killed the glass with another immoderate gulp. Now, especially now that we’re seniors, every time I do something it’s like I’m denying myself the chance to do something else – maybe forever –

I don’t know

, she said, taking a delicate sip. If you think about your future…

I poured myself another. Nooooo few-tchaaa, I crooned in my best Johnny Rotten voice. And in fact that voice was my voice, the voice of my generation, baby, the generation that didn’t even have a name, the one the baby boomers were always trying to annex so that they could appear younger. I’d been surrounded by their music for as long as I could remember, but I’d always known it wasn’t my music, and had never bought into that hippy crap and it wasn’t until I’d heard Johnny Rotten’s voice that I knew I’d finally found a sound I could call my own.

Well, I have a future.

I’m sure you do –

A noxious comeback rose in my throat, but just looking at her, secure in her guileless sweetness, blunted my habitual contrariness. Like tonight, for instance. I foresee a beautiful future for us.

Oh, please.

Another sip, even slighter than the first. Give me a break. You’re impossible.

But things weren’t impossible between us, and with the beer as a lubricant we slowly slipped into an easy conversation more rooted in the present of teachers, classes and contemporaries. Soon enough she was laughing and flirting right back at me, and we were more than casually looking into each other’s eyes.

 
 
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Black Light

Black Light

Within
An illuminated fog
All hazy and slanted
Everything clear but
Nothing clear cut Heather
Has a funny kind of heat on
At her wrists and fingers uncanny
Radiance like a torch reflection
Fine probing points of violet hued
Dim rippling flashes on the wall
What kick has she some kick of her own
Her unaided spiral a lilac in the current
A weed on the grave between her and the door
A calcium glare a shudder at the thought of
Heaven down here in the shadowy wild tale
Of the weird goings on under the black light

 

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From a Hynagogic Journal, Part 6

Kathy just sat there waiting for the lights to come up. Come on, I said. Let’s go, and she stood reluctantly, crouching so as to not block the view of the pedants behind us who were earnestly scrutinizing the Swedish credits. Soon enough everyone else crowded out too and we were treated on the stairs to Sammy Wisenkoph’s booming amplification of some esoteric detail which he loudly declared was a clear reference to an obscure Danish film, the ignorance of which prevented the uninitiated viewer from ever being able to appreciate Bergman’s work. Kathy and I just smiled at each other conspiratorially, keeping our silence until we were out of the auditorium. The audience split, the smaller part heading for the frats on the north end of the campus while the rest of us made our way down "middle path" to the independent south.

So what did you think? I said finally.

It was weird

, she said, the disappointingly stock response of someone who doesn’t want to analyze something too different or disturbing.

Yeah, I guess it was.

She reacted quickly to the sharpness in my voice. But it was O.K., what did you think?

Oh, I loved it. I love that shit.

She nodded meditatively. I liked it when the spider came out. And that last part with the helicopter and everything, I thought I was going to scream.

Yeah, the ending was great.

I guess I didn’t understand everything, though.

Who does? Except Sammy Wisenkoph of course. I mean you’d have to see it about a million times – and speak Swedish or something.

I had an aunt that went crazy, she said. She was always talking about that God stuff, too.

We slowly approached the lit door of the Pretzel Bar, conveniently located right off Middle Path, the buzz of conversation and the thump of the jukebox familiar to me as home. I came to an automatic stop. So…

So?

You do drink beer, don’t you? I couldn’t remember ever having seen her in the bell in all my misspent hours there.

Yes, I drink beer

, she said. Just not as much as you do.

Hah! I’ll believe it when I see it. Why don’t you come on in and demonstrate for me?

Well, I…

Come on, Kathy! I automatically reached for her arm, realizing only after I’d grasped it that it was the first time I’d touched her. It’s Friday night! We’re on a date for Christ’s sake.

Well, all right.

I felt her muscle relax under my hand. Just one.

And one and one and one. I let go reluctantly and opened the door for her. We went into the dark interior, surrounded by the sour smell of spilt beer and stale cigarette smoke, passing through the bar into the "restaurant" which abandoned all pretense of being a place where food was served as the night wore on, devolving into an antic drinking hall.

I led Kathy to a small table in the corner, empty except for the detritus of the couple who had staggered past us as we entered, not escaping the stunned and amused glances of my usual companions in debauchery who were roosting in a suddenly silent booth nearby. Even though they managed to adhere to the unwritten rule that forbade disturbing couples who clearly didn’t want to be disturbed, their shock was palpable, particularly manifest in the crooked, incredulous grin of my best friend Keith and the squint eyed scowl of his main squeeze, party girl Ungie. They, along with me, Kathy and a half a dozen others had gone from Pitt Prep to this college, the result of their proximity, their similar small size and Episcopal toniness, not to mention a Prep college guidance councillor who was an alumnus and had done his best to guide us here. The opinion of Ungie and the rest of the Prep bad girls concerning Kathy was not unknown to me – she was considered a prissy goodie-goodie and narc, possessed of the kind of irritatingly self-satisfied virtue of someone who hasn’t faced much temptation. Ungie particularly still held a grudge concerning some information Kathy had volunteered concerning a prank Ungie and a friend had pulled junior year at Prep, the exposure of which had nearly gotten them kicked off the cheerleading squad.

Fortunately, the arrival of the waitress shielded me from Ungie’s glare. Hey, UBU, she said, sweeping up the bottles and a meager tip even as she dabbed at a puddle of standing beer. Hey, Kath. Megan was a blond, amazonian field hockey/woman’s lacrosse player, striking, but built on an intimidatingly different scale than me. We knew each other from frequent barroom banter, while she and Kathy were no doubt acquainted from the field hockey team, where Kathy still toiled with the JV, even as a senior. What can I get you crazy kids?

A pitcher of Rock’s good Megan, thanks.

Sure thing.

A pitcher! Kathy said.

Don’t worry. You can have your glass and I’ll take care of the rest.

Huh.

And then there was a sudden awkwardness, the impromptu ease of our breakfast conversation stiffening with the formality of a date.

So.

The jukebox began, a few bass notes bringing instant appreciation from a table full of Dekes. Oh, God, not this again. The leaders of tomorrow, destined for boardroom and even White House never seemed to tire of the song "Brick House," its constant blare never tempering their condescending amusement. The pounded the table arrhythmically, chanting along in deep exaggerated faux Black voices Sheeeeee’s a brick house….All the while ogling Megan as she served them their Heinekens with a barely suppressed sneer. She’s mighty, mighty and she’s letting it all hang out…

So?

Kathy asked, slightly bobbing her head. Several of her roommates were Deke-ettes and I’d seen her standing in a corner when I’d braved their mixers to scarf up their potent but abominable spiked punch.

So –

I said, reaching clumsily for conversation. You really liked it at Pitt Prep, didn’t you?

Like it? Yes, I did. And you hated it.

No, not really. I mean I had a good time, I made some great friends, I had some good teachers – some jerks too. I guess I just thought that as an institution it was pretty fascist. I like college a lot better I can tell you that.

In fact Kathy and I had undergone a reversal of fortune between high school and college.

 

That’s all for now! Will write more soon,

Yr Pal,

UBU

 

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Very White

Very White

 

When the roof falls in it’s hard to stop

Sudden gravity makes everything swing

Like the knotted noose over a trap

 

Red washes on brick walls

Lines that aren’t really lines

I’m trying hard not to cough

 

As Heather leans forward

Peering down the alley

At all the mars lights

 

She wants the cops to change

But they will never change

Last night she slashed their tires

 

Tonight she laughs

Where the skin shines

Through the holes in her jeans

It is very white

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