Wave 2

Wave 2

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An Ambiguous Nocturnal Light

And so I walked the streets and haunted the bars, and was, according to me, the only man on earth who had nothing to learn.
Then suddenly, she walked through the door.
– Thomas H. Cook
In the simple way of the wild daisies that grew in the grass of the pasture behind out home, she offered the beauty of herself without pretention.
– William Kent Krueger
…one of those beautiful, proud nymphs fabled to appear to mortals in the depths of the forest or upon the solitary mountain-sides, only to drive them mad with passion and regret.
– George Sand
Her buxom charms, so generously revealed in tights and spangles, made him flush and cast down his eyes.
– Tod Robbins
There were three men sitting with her and their eyes feasted on her, they had their mouths open in a sort of mingled fascination and worship.
– David Goodis
The girls hugged their schoolbooks and swerved their breasts.
– James Ellroy
She was dressed in a white woolen sweater and a pair of rough cotton jeans which were faded and grey but had bright red checks on the cuffs. She wore her jeans a little short, and her fair skin peeped out above her canvas shoes. Her hair was tied back loosely in a ponytail, revealing the long delicate curve of her neck. Her shoulders were pulled forward by the dog tugging at the leash. Gimpei was lost in her dreamlike beauty, and even the color of the skin which showed between the red checks and her white shoes weighed so heavily on his heart that he felt like dying or killing her.
– Yasunari Kawabata
When I speak of angels and the troubling grace of some of my young girls, don’t forget that the most dazzlingly radiant, fallen, and glorious angel was Lucifer. The adolescent agitation of my young girls’ bodies reflects an ambiguous nocturnal light along with a light from heaven.
– Balthus
Desire is the soul’s inspiration, the quality within and outside us that Balthus revealed in his models’ gaze.
– Paul Lombard
She would treat him as if he were a stain on the bathroom rug and then stand close by him while he worked until he was dizzy with the smell of her, with the heat that seemed to radiate off her body. She stood by him while he knelt painting baseboards and after an infinite moment leaned carefully the weight of a thigh against his shoulder.
– William Gay
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Stick

We’re running down city streets

Malevolent shadows darting overhead

Hungry ghosts and swinging psychos

Furies bent on punishing us

For the blood we spilled

Last night at the High School

When we went all Columbine

But it’s O.K. as usual

I know we’ll escape this maze

If you’ll just stick with me

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The Best American Noir of the Century, James Ellroy and Otto Penzler, Editors, Houghton Mifflin Harcourt, $30.00.

What is noir? It’s such an overused and amorphous term that I’m tempted to answer, as Louie Armstrong did when asked a similar question about jazz, if you don’t know by now, don’t mess with it. But when I think about noir in the same way as other modernist movements like, say, Impressionism or Bebop, there appears the glimmer of an answer. Since the French critics coined the term after the fact, in the beginning for movies and then for the hard-boiled literary work which inspired many of them, the people who originated noir had no idea they were doing so, followed no rules, wrote no manifestoes and joined no professional organizations. Still, it can be associated with a specific time frame shaped by historical influences, starting with the materialism and nervous, jittery doomed gaiety of the twenties, continuing with the grim thirties and finding full flower in the disillusionment of post World War Two America. Add to this psychological background the massive rise in literacy, and the profusion of cheap “pulp” magazines consumed by guys with a taste for short, brutal fiction and the time to indulge that taste because they were out of work or in the downtime of war. Anybody who could crank out such fiction fast enough could make a precarious living out of it, and in fact their fiction gained immediacy and power by emerging so immediately from the subconscious. The historical movement died with the pulps, it’s vitality withering, as is the case with many other things, at the moment it was named and codified. To me you can’t really speak of contemporary writers as being noir, but only of having noir tendencies in their work.

Which brings me to an anthology that has the temerity to call itself The Best American Noir of the Century, edited by James Ellroy and Otto Penzler, two individuals who have more than enough chutzpah to make such pronouncements. The first obvious thing about the book is how weighted it is to the present day. Even though in his introduction Penzler locates the “golden age” of noir in the forties and fifties, there are only three stories from the former and six from the latter while the nineties and two thousands produce ten each. Perhaps he intends other books he’s edited like the just published The Black Lizard Big Book of Black Mask Stories to pick up the slack on the old guys, but any book claiming to be the best noir and not include Lester Dent’s “Sail,” doesn’t really live up to the title, and I’m sure there are many more vintage gems that deserve to be included more than some of the contemporary, presumably more commercial, offerings. Noir may literally mean black, but just because a story is dark, or has a downbeat ending, it ain’t necessarily noir. In my opinion the only two contemporary writers who approach true noir status are Ellroy and Megan Abbot, and Abbot isn’t even represented here. Instead for some unaccountable reason the reader is subjected to Harlan Ellison’s tedious not even close to noir “Mefisto In Onyx,” and, as in so many mystery anthologies, the inappropriate Joyce Carol Oates is trotted out like a desiccated but aristocratic maiden aunt presumed to class up the proceedings.

Noir has become the talismanic force it has because it is visionary.  In the world of the noir holy trinity of Jim Thompson, David Goodis and Cornell Woolrich there it isn’t just the good guys versus the bad guys, but an almost Gnostic view of nature, humanity and society itself as inherently malevolent. In the best stories in this collection “Spurs” by Tom Robbins, “For the Rest of Her Life” by  Woolrich and “When the Women Come Out to Dance” by Elmore Leonard the conclusion of the story brings the epiphany that the protagonist is in hell right here right now, and the torment threatens to be pretty close to eternal. Not enough of these stories live up to them, at least not enough to be called the best, particularly the more high toned literary gents at the end.

Which doesn’t mean, of course, that I didn’t read or reread all of the stories in this volume and enjoy most of them. In truth, it’s a pretty darn good collection of creepy, perverse dark fiction. If only it weren’t called The Best American Noir of the Century.

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My internet life

Greetings:

Let’s see: I started on the internet on the Yahoo blog — I liked it because you could put an image and text in, and was therefore able to combine my art and my writing. I pretty much put up my complete poetical works and about two or three people regularly liked it, (as long as I said I liked their stuff, of course). It’s interesting that the big sites like Yahoo couldn’t really keep the blog thing going. They just pulled the plug eventually, deleting everything. Then I more or less put my daily efforts into the msn thing, that also tanked, which I think has been transferred over here. I found the usual three or four kindred souls there, interestingly enough mostly local people like Nigel and Stella. But even before that I think the energy has gone out of blogs and into social networks. I have a facebook, but hardly ever use it because for me the internet is less about me and more about the stuff I make. My good friend Anthco introduced me to TUMBLR and I loved it and post at my site A Leak in the Safe all the time, finding the usual 3 to 4 fans. The Msn site was also not Chrome friendly so I did very little on it lately, so will see how this wordpress thang goes. Tumblr is more image oriented so maybe I’ll post quotes or something on here as well as my infrequent literary efforts. In the meantime I’ll fool around with the layout, and if I work hard for a long time, maybe get a couple of people to look at it.

YR PAL

UBU

Posted in Cosmic Verities | 1 Comment

Torsion

The keycard’s already old fashioned, with little circles punched out in patterns, and a drawing of a key in the middle for those unclear on the concept. There are arrows on each end with ELEVATOR running across the top and ROOM the bottom. On the back’s a diagram to further clarify, followed by five sentences of very small instructions repeated in Japanese, English, Spanish and French.

Obviously I’ve studied the damn thing quite closely, back in the room and just now riding the elevator, turning it over in my hands, clutching it as the possibility of my entry into what? More than just Pam’s hotel room anyway. She’d given it to me when I told her I really needed to talk to her tonight, saying there was no need for me to disturb the whole floor with my knocking.

I look at my watch – eight exactly. The card slides in and out smoothly, a green light winking as I turn the handle and push forward. Pam’s at the computer, pivoting toward me as I walk in, her usually ebullient smile a little flat as she speaks my name, an ambiguous sign, granted, but hopefully also an admission of the gravity of the moment.

She stops, half turned, her elbow on the back of the low desk chair, her hands in her lap, her legs crossed, thigh over knee.

So, she says as I settle on the corner of the bed, What did you want to talk to me about?

I meet her eyes as she narrows them, the way she does when she’s focusing her attention, but all the time I’m more than aware of those legs down there, exposed as her skirt rides up, swinging lightly with an unmistakable gravity of their own, and in fact you could say that her legs are entirely responsible for this heavy moment. Oh sure, I can’t help but admire her wealth of shiny chestnut hair, her elegantly spare body, not to mention the keen intelligence and genuine enthusiasm with which she, as “team leader,” has dispatched all the crap we’ve faced the last ten days – all these things strike me, albeit with resistable force, within reasonable limits, able to be contained in a way that would never disturb the outward tranquility of our quotidian business and personal relationship.

No, it’s simply those legs that have hung me up on their cross, twisting everything, causing the fabric of our once comfortable collegiality to wrinkle provocatively, kind of like the way the hem of her skirt is lying across her smooth as glass thighs at the moment.

See, I’ve known Pam forever, even back when she was gauche and ungainly, the extra girl at the table, her expensive clothes hanging awkwardly on an angular frame. But while the high school beauties who obscured her have chafed and tarnished with the years, Pam’s only grown more comfortable, making the utmost of every asset, decades of immersion in wealth and privilege affording her an easy grace, lightly plating her with this luminous, slightly brittle gleam of glamor, her meticulously made up face framed in waves of expertly cut and colored hair, gold earrings and pearls glittering in strategic punctuation, her business drag of short skirt and long jacket ideally showing off those legs, molded into elastic, taut perfection by a lifetime of tennis and running, encased in subtly shining hose.

In public she always presents a bright and polished face to the world, but now I need to know more – to explore her dark side, to penetrate the private shadows.

I…we’ve been spending a lot of time together lately and I just wanted to say that I’ve really grown to appreciate what a terribly attractive woman you are…

And? She smiles indulgently.

Well, you know I’d never want to do anything that would embarrass either of us….

This morning while I was sitting in my hotel room, already well on my way toward the possibility of such mutual embarrassment, I’d read an article in the science section of my complimentary copy of the Times which seemed to crystalize the whole thing for me in a weird way. It was about the theories of an obscure Russian scientist who, in my understanding (or more likely misunderstanding), had posited that the universe is composed of numberless rotating systems, all of them spinning madly, spitting out streams of energy, and when these atomic tornadoes inevitably crash and collide, they produce knots of space and time so intensely concentrated that they form the objects we perceive as the physical universe. The overriding force at play in the universe is therefore torsion, the twisting of existence like a crumpling can between two powerful hands, and I feel now as if I’m in the midst of an irreducible clot, a unique radioactive current flowing between Pam and me, the two sole inhabitants of a universe of desire created by the supple cross and curve and bend of her legs, an unstable system inhospitable to husbands, wives and children, one that will pop like a soap bubble at check out time tomorrow, but in the meantime seems as if it might very well destroy us if we don’t fully inhabit it tonight.

And I’d never want to jeopardize our situations back home. I realize I’m still holding the key card and toss it on the bed.

But? At least she’s still smiling.

But, I say, cupping her knee in my palm.

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Torsion

Torsion

Entering your room green light winking

Slowly tight walking a thread twisting

You say my name half turning shadow

I settle on the corner of the bed you ask

What it is I want to say just how

Articulate your terrible attraction

Your skirt riding a transformative medium

Spiraling  pleating folding wringing

The agency of an emerging unbalance

Suspended at the point of vibration

Hung up on the cross of your legs

Knee over thigh over knee over thigh

Smooth as glass those stems of time

Winding through a gash in its fabric

Swinging slightly with a gravity

All their own

Fundamental symmetry stress skin

The essential condition for the physical

Permutation of this specific relationship

Within an experimental system

The dense specificity of the moment

The energy outflow the rigid transmission

Rotating the sweet smell of you

The torsion

Of your body and my desire where

They intersect producing this significant

Vibration rarefaction resonance spin

Bending into a given spatial configuration

On my knees my hands

On your knees

A vortex two physical bodies blending

Wrung out at your limbs’ unification

The apex

Where rests the twist the primal beginning

Swelling minutely specifically textured

The direction of spirit through matter

Compression wrung out between

Eternal generations spiraling

Our conscious manipulation of possibility

Producing this nodule of irreducible time

Forming a haze of transformation

An evening spent uncovering the shadows

Closing the circle of creation

Once more

Before we check out

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hey

hey,
your profile stood out to me, so i decided to take a look at your profile and well, i liked what I saw.. ;p
they call me ! I love traveling, and do so whenever i get the chance to work oversees, especially all over europe!
anyways i’d go on and on, but I’d like to get a response from you first. i’d like to get to know you!
Posted in Cosmic Verities | Leave a comment

Crime Beat: The Clown Pants Caper

t didn’t take a lot of great detective work for Swissvale police to find and arrest a North Braddock man charged with robbing a Citizens Bank branch Saturday morning.

Police Chief Greg Geppert said officers arrested Dennis Hawkins, 48, of North Braddock as he sat in a parked car at a service station at Washington Street and Monongahela Avenue wearing an outlandish disguise and covered in red dye that exploded all over him when he tried to open the money he took from the bank.

Chief Geppert gave these details of the incident:

Mr. Hawkins first drew attention at the Giant Eagle supermarket in Edgewood Towne Centre. He described him as a black man with facial hair who was wearing a female blonde wig, a sweater with fake breasts under it and clown pants.

He left the supermarket and went to the Kmart store at the shopping center, where surveillance cameras later showed him shoplifting a BB gun.

He then went to the bank a couple of blocks away on McCague Street, entered and sat down in the waiting area. He initially turned down a teller who offered to help him, saying he was waiting for someone else to arrive, then later approached her and robbed her at gunpoint.

Bank cameras showed he went to a tree behind the bank, opened the money envelope and dropped it and some of the money when the dye pack exploded.

He ran a couple of blocks to the service station, where he approached several customers and asked for a ride. When they refused, he got into the car of another woman, who got out, took her keys with her and went inside to call police.

Officers on their way to the bank robbery call went to the station and arrested him while he waited in the car. He had dye on him, the wig stuffed in the waist of his pants and was still wearing the fake breasts.

Chief Geppert said Mr. Hawkins told police he had found the money and took them back to the tree where the dye exploded.

Mr. Hawkins is being held at the Allegheny County Jail on bank robbery and other charges.

"He’d be my candidate for America’s dumbest criminal," Chief Geppert said.



Read more: http://www.post-gazette.com/pg/10207/1075423-56.stm?cmpid=MOSTEMAILEDBOX#ixzz0uoVJ4btf

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Sup

sup. I am new here, and I don’t know if my English is ok yet. I am looking for new people to talk to. Maybe we can chat, or go for a drink. I still have some hard times with this sites sometimes!

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