from Shinto: The Kami Way

In Shinto there is no absolute deity that is the creator and ruler of all. The creative function of the world is realized through the harmonious cooperation of the Kami in the performance of their respective missions.

Among the objects or phenomena designated from ancient times as Kami are the qualities of growth, fertility, and production; natural phenomena, such as wind and thunder; natural objects, such as the sun, mountains, rivers, trees and rocks; some animals; and ancestral spirits.

Instead of developing theoretical explanations of the invisible world, shrines were established as sacred places to which the Kami could be invited and where man could experience their presence.

Shrine worship is closely associated with a keen sense of the beautiful — a mystic sense of nature which plays an important part in leading the mind of man from the mundane to the higher and deeper world of the divine and in transforming his life into an experience of living with the Kami. No amount of artificial beauty is an adequate substitute for the beauty of nature.

The natural beauty imparts to the worshiper a religious impetus to move from the mundane to the higher and deeper divine world, which can transform his life into one of close fellowship with the Kami.

The world of the Kami does not transcend that of man, and man does not need to seek to enter a divine, transcendental world to attain salvation. Humanity seeks salvation by bringing the sacred into the human world, into the daily life of the home, the marketplace. and the cooperation of the people. We experience the Kami in this world and salvation is attained in the harmonious development of the world.

— Sokyo Ono

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Inspirational spiritual Poems

(Ho of the)

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I’ll Be Your Mirror

RUBENS, Pieter Pauwel
Venus at a Mirror
c. 1615
Oil on panel, 124 x 98 cm
Liechtenstein Museum, Vienna

Mirror, you always hang there on your nail

To receive her image in your brightness:

And here my heart waits for her to no avail,

For she never deigns to give it notice.

You (O happy one), blessed with her visits,

Share all her most secret, & worthy wares,

Whereas, blind to my heart, she nonetheless dares

Hear its tears, its complaints, & all the rest.

Any lady may be contained in you,

But into her, nobody else may step.

— Maurice Sceve/Translated by Richard Sieburth

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Special Offer 8

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Noumenon

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It’s my birthday!

Gettin’ old
Gettin’ grey
Gettin’ ripped off
Under-paid
Sellin’ books
Second hand
That’s how it goes
— AC/DC (sort of)

art by anevacuation

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2005 Boilermaker 63

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You’ve Forgotten 2

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You’ve Forgotten 1

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Misery Bay, Steve Hamilton, Minotaur, $24.99.

Mystery fans like to kvetch when an author takes a break from a beloved series in order to write a stand alone. At our signing for The Lock Artist, his fans practically wouldn’t let him out of the store until he promised that his next book would be an Alex McKnight.

But the fact is that there are many upsides to stand alones. One, of course, is the possibility that the book in question is an instant classic that, say, wins the Edgar award for best mystery novel of the year. (To put it in sports terms, Steve has now won the equivalent of Rookie of the Year and MVP.) Another is that writers are often able to return to their beloved series refreshed after a stand alone, gaining a new focus and perspective after stepping away for a while.

And make no mistake about it, Misery Bay is another great outing for Alex. Hamilton has been able to keep the series fresh by fleshing out his minor characters, shining a spotlight on those who previously played cameo roles.

Alex unlikely co-star in this installment is his long time antagonist Roy Maven, the Chief of Police of Sault Saint Marie. Maven comes into Paradise’s Glasgow Inn with unusual if inconsistent humility – one of his former colleagues in the Michigan State Police has asked for his help in unraveling the mystery of his son’s suicide, and, like it or not, McKnight is the only P.I. he knows. At first nothing is conclusive except a troubling pattern that reveals the suicides of other policeman’s children. The Chief himself is a father and soon he and Alex are racing around Michigan trying to save innocent lives and snare an elusive killer.

All the elements that have made this series so outstanding are here, with narrator Alex’s wry, winning voice, the setting of rustic Paradise, colorful regulars like innkeeper Jackie and gumshoe maudit Leon. But to me the best part of Misery Bay is the development of the character of Chief Maven. In the past more of a comic foil, he here becomes humanized as a father, cop and ultimately, pretty darn close to a friend of Alex.

But yes, this one was well worth the wait for mystery fans, because Misery Bay brings us back to Paradise, and I mean that in every sense of the world.

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