Margaret

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Oprichniki

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Her?

She is not event free

I’ve been on the elevator

With her and I’m sure

Her convex maturity

Her crepuscular allure

Reflecting American materialism

For her own glory

Attractive at least notionally

The Lady of a Hundred Hands

In a high touch town

Torched by an angel

Symptoms returning

In a declining margin

Wait I still function

An iconoclastic riot

Tipping ajar

Is she not she is

The shroud of virtue

Perfumed with vice

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There is always excitement when Mr. Prem plays with the alligators.

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Shannon Stewart

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The Sensuous Night

William Fett, 1958

Kemper Art Museum

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Frontispiece for Revue Fantaisiste

Rodolphe Bresdin, 1861.

Kemper Art Museum

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The Iron Cross

Marsden Hartley,  1915.

Kemper Art Museum

Over the ruins, as over all the most dangerous parts of the terrain, lay a heavy smell of death, because the fire was so intense that no one could bother with the corpses. You really did have to run for your life in these places, and when I caught the smell of it as I ran, I was hardly surprised — it belonged there. Moreover, this heavy sweetish atmosphere was not merely disgusting; it also, along with the piercing fogs of gunpowder, brought about an almost visionary excitement, that is otherwise produced only by the extreme nearness of death.

from Storm of Steel by Ernst Junger

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Alienated Youth

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Time in a bottle

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