Sabrina and Her Nymphs

by William Etty

  • Date painted: 1841

This is what happens to nymphs: they are pursued or they are left. Sometimes, like Echo, they are fled. We turn to trees, seabirds, seafoam, running water, the sound of wind in the leaves. Men come to stay with us, they lie beside us in the night, they hold us so hard we can’t breathe. They walk in the woods and glimpse us: a diving kingfish, an owl caught in the headlights, a cold spring on the hillside. Alcyone, Nyctimene, Peirene, Echo, Calypso: these are some of our names. We like to live alone, or think we do. When men find us, they say we are lovelier than anything they have ever seen; wilder, stranger, more passionate; elemental. They say they will stay forever. They always leave.

— Elizabeth Hand

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Shannon Stewart 2

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Galatea

DORIGNY, Louis.

Galatea, whiter than the snowy privet petals,

 taller than slim alder, more flowery than the meadows,

 friskier than a tender kid, more radiant than crystal,

 smoother than the shells, polished, by the endless tides;

 more welcome than the summer shade, or the sun in winter,

 showier than the tall plane-tree, fleeter than the hind; 

 more than ice sparkling, sweeter than grapes ripening,

 softer than the swan’s-down, or the milk when curdled,

 lovelier, if you did not flee, than a watered garden.

 

Galatea, likewise, wilder than an untamed heifer,

harder than an ancient oak, trickier than the sea;

tougher than the willow-twigs, or the white vine branches,

firmer than these cliffs, more turbulent than a river,

vainer than the vaunted peacock, fiercer than the fire;

more truculent than a pregnant bear, pricklier than thistles,

deafer than the waters, crueller than a trodden snake;

oh, what I wish I could alter in you, most of all, is this:

that you are swifter than the deer, driven by loud barking,

swifter even than the winds, and the passing breeze.

 — Ovid

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Quodlibet 1

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Margaret

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Oprichniki

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Her?

She is not event free

I’ve been on the elevator

With her and I’m sure

Her convex maturity

Her crepuscular allure

Reflecting American materialism

For her own glory

Attractive at least notionally

The Lady of a Hundred Hands

In a high touch town

Torched by an angel

Symptoms returning

In a declining margin

Wait I still function

An iconoclastic riot

Tipping ajar

Is she not she is

The shroud of virtue

Perfumed with vice

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There is always excitement when Mr. Prem plays with the alligators.

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Shannon Stewart

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