Feels So Good

feelsogood

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Allegory of Life

33519Giorgio Ghisi, designer
Italian, 1520-1582
Allegory of Life, 1561
Engraving, trimmed within platemark

RISD Museum

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Salome

edii_rsa_2002_099_large (1)by David McClure

Date painted: c.1969
Oil on canvas, 101.6 x 111.5 cm
Collection: Royal Scottish Academy of Art & Architecture

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America

gba

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out here we is toned

toned

immaculate

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Nude with a Pearl Necklace

pearl

by Georges van Houten

Date painted: 1952
Oil on canvas, 84.5 x 65 cm
Collection: University of Oxford

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The Resurrections

theressurections

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Idyll

RISDM 66-025

Jean Jacques Henner
French, 1829-1905
Idyll, ca. 1872
Oil on canvas

RISD Museum

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Perseus and Andromeda

RISDM 57-167

Giuseppe Cesari

Italian, 1568-1640

Perseus and Andromeda, ca. 1592

Oil on slate

RISD Museum

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Not Necessarily Normative

notnecessarilynormative

A twilight maiden with

The commencing fascination of

A serpent uniquely disturbing

An incompletely socialized

Schizoid presence with a pretty

Evident vein of madness and

Rather vague notions of decency

Not necessarily normative nor

Lacking  a demonic dimension

Pure nightmare fuel

Dubious and distasteful

But she broadens the way

I see normality

Maintaining her cruel serenity

Amidst all the hectic vexation

Of her extremely troubled past

As the distaff member

Of the originating couple

Who took the fall

Well familiar with the probe

Her laughter as forced

As a studio audience’s

A disorganizing influence

Wandering and unfathomable

Almost bereft of reason but

Possessing some infernal secret

Well worth knowing within

The resurrections of her memory

That dense identity the true

Instrument of our compression

It may be a freak of hers

Whatever clusterfuck

She’s gotten herself into

The mad marbles careening

In her brainbox exploiting

The prevailing cosmic dread

Gleaning the earth’s wreck

Sticking a fork in causality

With the turbulent voluptuous

Flow of a deep game

Taking place in the trailer

Behind the car lot

Where the perverts gather

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