Babes of the Apocalypse

Photograph by Maggie Shannon

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Zonce

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Swampy Eberwhite

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Nonny


Ronald Ossory Dunlop (1894–1973)
Swindon Museum and Art Gallery

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Ringaround Arosie

Eva Hesse “Ringaround Arosie,” 1965, pencil, acetone, varnish, enamel paint, ink, and cloth-covered electrical wire on papier-mâché and Masonite

Credit…Estate of Eva Hesse and Hauser & Wirth/Licensed by SCALA and Art Resource, NY; Museum of Modern Art.

“Ringaround Arosie” conveys all there is to say about the paradox of erotic abstraction and the way female artists imbue the idiom with a pulsating humanity. — Daphne Merkin

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Haunting

There were no words
So there was a haunting
Scrawls and smuts on
A scrap of clean paper
Reproduced as action
Instead of memory
Repetition a way of recalling
Her otherworldly form

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The Dream of Raphael

RAIMONDI, Marcantonio
Engraving, 230 x 330 mm
British Museum, London

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Sine Cerere et Libero friget Venus (Without Ceres and Bacchus, Venus Would Freeze)


c. 1600-1603
Hendrick Goltzius, Dutch (active Haarlem), 1558 – 1617

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The Surplus Which Cannot Be Explained

Borderland a zone in which she is susceptible
To transcendent experiences hallucinations lies
Evidences of supernatural energy transcendent
Nuggets the surplus which cannot be explained
Fierce feelings which empower expressions of
Suppressed sexual desire cracking consciousness
As kinetic projections stifled yearnings become
Known even when separated by great distances
In a particle state in which all things are whole

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What’s The Rush

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