Icon

An icon is more than a picture: It’s a pictorial incarnation of holiness.

— A.O. Scott

The Virgin Mary
Russian School (attributed to)
The Pitt Rivers Museum, University of Oxford

This painting, depicting the Virgin Mary, came to the Museum as part of the founding collection given to the University of Oxford by General Pitt-Rivers in 1884. One of the old catalogues describes it as a Russian icon, but the inscriptions are in Latin and Greek and its origins are uncertain. The inscription identifies it as a copy of a painting in the church of Santa Maria Maggiore in Rome, which is supposed to be a portrait painted by the Evangelist Luke, which was first mentioned in a History of the Church written in the sixth century. However, there are many portraits of Mary supposedly painted by Luke. The painting at Santa Maria Maggiore is a half-length portrait of Mary with the child Jesus on her lap and bears little resemblance to this supposed copy.

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We Can Be

whatever you want to call it

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Succulent

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all

the world encompasses

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Cyprus

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Astrologer

Drowning a star
Reflected in the ocean
Of the astrologer’s eyes

Trembling a frog leg
In their galvanic current

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Scan 043

…adolescent desire was getting caught up in a network of crisscrossing relations whose overdetermination charged almost every exchange.

— Ben Lerner

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Fragments

…it can be tempting to imagine that our experience consists entirely of fragments torn from an ancient wholeness that was destroyed a long time ago and was then put back together in a way that was all wrong.

— Robert Musil

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Half-Wakened

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Note Paper

a time-mask
shattering refracting
the one infinite thought

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